Creating Performance Excellence By Georg Voros

“I found this book to be an exceptional example of the wonders of realizing ones goals and ultimately, one more part of ones huge potential.”

- Greg Hadjiyorki Georgiades – Musician, BA(Psyc,Soc) Hons(Psyc) MA(Clin Psyc)

You’re only as good as your last gig!

This inspiring NEW book by renowned performer, educator and author Georg Voros focuses on the essential tools needed to deliver your best performance every time. His RPD process of performance greatly increases understanding of how to effectively structure preparation for a performance of any kind, and his tried and tested ‘Blank piece of paper’ technique offers greater clarity in sorting out not only performance related issues, but general life issues.

The information offered in his book is based on personal experience. He didn’t simply ‘lift’ the content from other sources because he thought it made good sense. The methods and principles in this book are sourced from many years of across the board experience that has taken Georg around the world.

A unique aspect of this book is that there are no ‘numbered’ chapters. The chapters are based on the actual word PERFORMANCE. 11 letters make up this word, therefore there 11 chapters in this book. Each chapter contains an essential performance tool based on the appropriate letter. Georg feels that by structuring the book in this way that he had to dig deeper to match the information with each letter. Here is a list of the 11 chapters:

P – PASSION

E – ENERGY

R – RESEARCH

F – FOCUS

O – ORGANIZE

R – REPETITION

M – MASTER

A – ASSIMILATE

N – NOW

C – CONFIDENCE

E – EXPRESSION

This book is intended not only for people involved in the performing arts industry, but indeed anyone and everyone as we are all required to ‘perform’ in our everyday lives, regardless of the chosen career or field of study.

‘Creating… performance excellence’ – the road to start delivering your best performance, every time…

 

PreSonus TechTalk Sessions – Live and Online

PreSonus has been broadcasting TechTalk sessions over the Web for quite some time now, and the number of attendees just keeps on growing.

 

“Pitchclip’ wins Best in Show Honours at 2012 winter NAMM

The Korg Pitchclip clip-on guitar tuner has been awarded a “Best in Show” honor during the annual panel presented on Day 4 of the NAMM convention. The panel was moderated by Music Inc. magazine’s Frank Alkyer and a select group of music products industry experts who cast their votes in four categories.

Pitchclip was honored in the “Best Accessory or Add-On” category, and was selected by Tim Pratt, co-owner of Dietze Music. Pratt commented that the clip-on tuners are inexpensive and come in a variety of colors. He also noted that customers might buy more than one Pitchclip to represent the colors of their favorite sports teams or just their favorite colors.

The Korg Pitchclip is a highly accurate, chromatic, clip-on tuner with a low-profile design and high-visibility display. Its reversible display allows it to be conveniently positioned either in front of or behind the guitar’s headstock.

SA Distributor: Tuerk Music

 

 

The Music Business Master-class

Places are still available in the Music Business Master-Class as advertised last year. The Academy of Sound Engineering, in conjunction with David Chislett and Nick Matzukis, are proud to present the Music Business Master-class (MBM): the one-stop business course for the modern musician trying to make it in the new music industry.

The industry is abuzz with talk of how the music business has changed, how no-one needs a record deal anymore, and how easy it is to do everything yourself as an independent. The problem is however, that there is not enough information readily available for average South African musicians to empower themselves to take advantage of the situation. That is all set to change.

 

Many course and ideas have surfaced, but the MBM is the one where you can find out everything in one place, taught by two highly-respected industry personalities in a professional music environment.

Presented by Nick Matzukis and David Chislett, under the auspices of the Academy of Sound Engineering, the MBM is a two-month skills programme that covers everything from contracts and contract law, to marketing and the use of the digital arena. It is the only truly comprehensive course available that will empower musicians and managers of any level to seize control of their careers by understanding the business and then being able to take advantage of the new business terrain in the music industry.  This course, pitched at the highest level, is designed to teach you everything you need to know about making money out of the music industry.

 

The programme covers:

Getting started: thinking about your music

Artist agreements: steering your project

Income streams

Planning for Success

Marketing start

The digital arena marketing, reach

Business Models

Industry overview key players (SA and internationals)

Royalties

Contractual Principles

The Record Deal and its variants

The Publishing Contract and its variants

The Artist Management Agreement and its variants; Copyright

With a one-off introductory offer of R5 950.00, the MBM is now available.

The programme takes place 2 nights a week for 2 months at the ASE campus in Auckland Park from MARCH 2012. The course fee includes tuition, some working materials, a copy of Nick Matzukis’ Book “South African Music Law And Contracts“ and a copy of David Chislett’s Book “1,2,1,2: A Step By Step Guide To The SA Music Industry.”

The first programme kicks off in MARCH 2012 and registration is open NOW

For more information or to book your place contact:  (011) 482-9200 or georgej@ase.co.za

 

Katy Perry relies on DPA’s headset mics for California Dreams tour

Katy Perry’s engineering team relies on DPA Microphones’ 4088 cardioid headsets for all the pop superstar’s live performances, including her current California Dreams world tour. With the fast-paced, high-action set mechanics of the tour, Perry’s front-of-house engineer Peter Keppler needed a mic that could adapt to any situation. The smooth design of the DPA 4088, which makes the mic almost invisible, combined with its ability to eliminate feedback and background noise, make it the ideal choice for a high-octane tour like Perry’s.

“When selecting a microphone, I wanted something that would provide a well-balanced, open and airy sound for Katy,” says Keppler. “She’s a strong singer with a great voice and I thought finding a good headset mic would be a challenge. From the moment we tried the DPA 4088, I knew the sound was no longer going to be a problem.”

During Thinking of You, Perry stands atop a pink cloud that allows her to fly out over the audience playing an acoustic guitar. During this performance, Perry is in front of the main PA, which can be a potentially disastrous sonic scenario regarding feedback.

“The off axis rejection performance of the DPA 4088 was a lot better than anything else I’d ever heard,” Keppler explains. “All the headset mics I’d previously used sounded very unnatural — either muffled or very thin and boxy, and feedback problems were terrible. The DPA 4088 solved all of these issues. Her audience shows her a lot of appreciation, and they get especially loud when she flies over the crowd during Thinking of You, which also happens to be the quietest song in the show. The DPA 4088 has come through time and time again when I really needed to get Katy’s voice above the level of the audience. The gain before feedback is excellent.”
The DPA 4088, which Perry uses exclusively as her headset vocal microphone, is especially useful during the song Hot N Cold, where she changes her outfit seven times. Since this would be impossible with a handheld, Keppler selected the DPA 4088 because it could withstand the abuse, while allowing Perry the freedom to move about the stage.

“For Katy, the requirements were that the mic sounded great and was as small, lightweight and inconspicuous as possible,” says Keppler. “We selected the beige-colored version so it’s even less noticeable when she wears it.”

Having worked as FOH engineer for Nine Inch Nails and David Bowie, Keppler knows what it takes to keep the audio running for a live tour. Night after night the 4088 has stood up to the rigors of the road, performing flawlessly.

“The 4088 has held up amazingly well,” concludes Keppler. “Sonically, it always delivers. The hardware and wiring are both surprisingly robust, especially considering the abuse they take on a nightly basis.”

The California Dreams tour continues through Europe into February.

SA Distributor: Prosound (Pty) Ltd www.prosound.co.za

ProAudio supplies further HK Audio ConTour Arrays to Omalaeti Events

Omalaeti is a brand that is becoming synonymous with music, events and production in Namibia. The brands events and rental wing, Omalaeti Events, has recently added more of the versatile HK Audio ConTour Array into their rapidly expanding arsenal of concert audio systems.

The company has contributed to large scale projects in Namibia such as the Mixa Live Concerts, cultural events, various music concerts and also provides technical support at Zoo Park in Windhoek.

Andrew Sorrill, specialist for HK Audio at suppliers Proaudio, says that he is thrilled about Omalaeti’s success. “It is exciting to see how these event companies expand from humble beginnings, and we at Proaudio are glad that we are able to contribute in some way toward their growth.”

Tawanda Munyawiri, who is the Operations Manager at Omalaeti Events, has enjoyed HK Audio’s product range through the years: “The ConTour Array was the obvious choice to expand on our current system inventory and the flexibility of the system is another big selling point. The sound quality from all HK Audio products is better than others I have experienced.”

Sorrill adds: “The CTA’s have received a fantastic response from the local market as production crews rave over its ease of use and versatility. The system can be ground stacked, pole mounted or flown in a number of configurations depending on the application.”

SA Distributor: ProAudio (Pty) Ltd www.proaudio.co.za

 

Audiosure launches their long awaited new website

Audiosure proudly launched their long awaited new website on Monday 16^th January. This comes shortly after they moved into larger premises in Midrand in order to accommodate their needs for more office, showroom and warehousing space. The new site more clearly defines the wide range of products and industries they stock and market to, and with the content being blog based, each division will be able to load industry-specific articles, product features, training and education, videos and other multimedia onto their sections that will add value to their specific customer base. Easier access to recommended retail price lists, contact information, and a full list of brands imported by Audiosure are all features of the new site.

Says Marketing Manager Chris Andrews “This has been a project we have anticipated and worked hard on for quite some time and are thrilled at the end result. The new site is a good reflection of where we are as a company, and will allow us to grow it the business continues to expand.”

Visitors to the blog can interact with the company by loading a profile and making comments on articles. They can also share content interesting to them via social media buttons.

Contact Audiosure: marketing1@audiosure.co.za / 011 790 4600

 

TC-Helicon Introduces VoiceLive Play – A Compact Vocal Wonder for All Singers

Regardless of the starting point, TC-Helicon’s new VoiceLive Play is determined to take singers everywhere to the next level.

VoiceLive Play is a new take on a compact multi effects unit for singers, but it is also so much more. Obviously it is packed with TC-Helicon’s pro-level effects tailored specifically for vocalists and state-of-the-art harmony processing yet it is in the details where ’Play’ really shines. Basically, singers will be catered to as if a dedicated vocal producer was sitting inside the box, always ready to fulfill their every wish and follow their slightest move.

Search. Find. Play.

Operating and navigating VoiceLive Play is a breeze. More than 200 amazing presets can be browsed either by genre or effect type. Many of the factory presets are designed to evoke a wide range of popular songs so singers can feel at home instantly – with more presets to download every month online. Every preset can be taken ‘over the top’ by stepping on the HIT button, which will add effects on top of the basic sound of each preset – perfect for making choruses stand out instantly! Also, selected presets can be stored as Favorites for super fast and easy access.

The Power of Practicing

The only way to really take it to the next level is by practicing, but that doesn’t mean that it can’t also be a lot of fun. VoiceLive Play has a dedicated Practice mode that analyzes singing performance in real-time. Detailed pitch statistics will help singers spot their strengths and point out areas that need more attention.

Singing along is another fun way of practicing, and VoiceLive Play accepts input from external audio sources such as iPods and computers via an AUX In connector or USB. To make it even more fun, VoiceLive Play has a Vocal Cancel feature that makes the performer’s voice stand out over the vocal on the recording. Finally, VoiceLive Play can even listen to the recording and generate harmonies based on the chord progressions of the track.

The Power of Looping

VoiceLive Play is the perfect tool for adventurous singers eager to explore the exciting world of real-time looping. Loops can be created easily on the spot with or without effects, and by adding a TC-Helicon MP-75 microphone, the integrated Mic Control button can be used for full looping remote control.

Versatile Room Mics – A Good Set of Ears

VoiceLive Play has a built in microphone on each side panel, which can be used in several ways. For example, they can add a touch of room ambience that will make the voice more natural and comfortable when using headphones. The mics can also be used for picking up room sound and base the harmony processing on chords on an acoustic guitar or piano playing along for example. Alternatively, they could even be used for recording to a computer via USB.

In short, singers everywhere should prepare to fall in love with their voice!

VoiceLive Play Main Features

• Complete Vocal Path – Tone, Harmony, HardTune, Reverb, Double and more

• Auto Key Detection – Harmonies Can Follow your Favorite Songs

• Practice Mode – Sing along and Analyze Vocal Performance

• Tone – Global Adaptive EQ, Compression, De-ess, Gate and Pitch Correction

• VLOOP Performance Looper with Undo/Redo

• RoomSense Microphones for Auto Key, Monitoring, Practicing and Recording

• Navigate Over 200 Presets by Genre or Effect with Favorites

• Aux Input for Connecting an MP3 player.

• Stereo XLR, Headphone and USB Stereo Outputs

• Low-noise Mic Preamp with Phantom Power

• Optional MP-75 Modern Performance Vocal Microphone with Mic Control

• Preset Download and Management Using VoiceSupport and USB

SA Distributor: Prosound (Pty) Ltd www.prosound.co.za

 

Tiny Meets Awesome – TC Electronic Introduces PolyTune Mini

The revolutionary PolyTune changes the game once again with an even smaller footprint

Two years ago, TC introduced polyphonic tuning to the world and since then guitarists everywhere have welcomed this next-generation way of tuning with open arms. Now TC reveals the world’s smallest polyphonic tuner: PolyTune® Mini that will fit on any pedal board. Sometimes size actually does matter and in such cases, PolyTune Mini is the perfect solution as no other pedal tuner in the world will take up so little space, which means more room for other pedals.

“When designing PolyTune Mini we set a goal right from the start: We didn’t want to compromise on features in any way,” says TC’s Guitar Product Manager Tore Lynggaard Mogensen. “Despite shrinking it down to a 3rd of the size of the original PolyTune, our engineers did an absolutely incredible job taking all the cool stuff from PolyTune and shrinking it down to a tiny package. It really is the kind of product you have to hold in your hand to truly appreciate the size, build quality and attention to detail.”

PolyTune Mini is based on the exact same technology as the original PolyTune, so like its bigger brother it shows the tuning state of all strings simultaneously by simply strumming the guitar, allowing guitarists to get back to playing in a matter of seconds.

Just like the original PolyTune, PolyTune Mini is among the most precise tuners in the world, tuning with +/- 0.5 cent precision in chromatic mode and +/- 1 cent accuracy in polyphonic mode. Also, it automatically switches between chromatic and polyphonic modes depending on whether all strings are strummed at once or each string is picked individually. Finally, PolyTune Mini features Drop-D and Capo modes as well as True Bypass for zero tone coloration and a super-bright LED display with the same amount of LEDs as the original PolyTune.

PolyTune – Tuning Distilled!

PolyTune Mini Main Features

• Ultra-small Footprint – Will Fit on Any Pedal Board

• PolyTune – Tune All Strings Simultaneously

• +/- 0.5 Cent Tuning Accuracy

• True Bypass w/ Silent Tuning

• Super-bright LED Display

• Up to 5 Semitones Flat Tunings

• Drop-D and Capo Tuning

SA Distributor: Prosound (Pty) Ltd www.prosound.co.za

New Drum Programme At COPA SA with Top SA Drummer

The Campus of Performing Arts South Africa (COPA SA) has introduced a new drum programme run by one of South Africa’s top drummers, Barry van Zyl.

It consists of 30, once a week, one hour, part-time courses in Cape Town and will be potentially rolled out to other COPA centres in the future. The course is independent of the COPA system and is open to any interested students.

The lessons are compiled by van Zyl and will complement the existing COPA drumming course, giving students a further dimension to their drumming skills.

Van Zyl has a long career as a session musician both in SA and abroad working for a diverse array of artists such as Johnny Clegg, Peter Gabriel, Annie Lennox, Ladysmith Black Mambazo, The Soweto Gospel Choir and Die Antwoord. He’s also contributed to many film scores like Tsotsi, Themba and Zambezia as well as composing the score for recent SA Indie movie Skeem.

The course will be run with groups of drum students in a classroom setting

Course highlights include:

· Powerful methods to approach and develop improvisation

· Looking at the most ‘called-for’ drum styles, grooves that will get you the most work

· Re-enforcing counting methods

· Techniques to improve chart reading

· Rhythm ear-training

· An introduction to the origins of major Worldbeat music styles.

· Working on personalised musical drum parts and then playing along with specially developed tracks.

 

TC Electronic’s Revolutionary TonePrint App Now Available for Android

A few months ago TC Electronic launched its truly mind-blowing TonePrint® App for iPhone. Now the magic has been successfully ported for Android devices!

The new app compiles all TonePrints for TC Electronic’s TonePrint enabled guitar pedals in one place and allows users to ‘beam’ new TonePrints to their pedals in a matter of seconds. The idea behind the technology is as simple as it is ingenious: Each TonePrint has been converted to a unique-sounding magnetic impulse that can be beamed via the phone’s internal speaker, through the pickup of a guitar and directly to a TonePrint pedal! The sound does not carry any data so it doesn’t matter if users are in a raucous arena or a library – no other sounds will interfere with the data being sent from the phone.

The app contains all TonePrints as mp3 files, which means that no Internet connection is required for beaming TonePrints. The phone’s speaker simply needs to be placed close to a magnetic guitar pickup when beaming, and it literally only takes seconds for the app to perform its magic. Best of all, the TonePrint app is completely free of charge.

“We are extremely proud to present a super-flexible solution that allows all guitarists with TonePrint pedals and an Android or iOS device to truly explore the ever-expanding list of great and unique TonePrints created by some of the best guitar players in the world,” says Guitar Product Manager at TC Electronic, Tore Lynggaard Mogensen. “Now great tones and tons of musical inspiration can be beamed and enjoyed on-the-spot as well as on-the-fly.”

SA Distributor: Prosound (Pty) Ltd www.prosound.co.za

 

The TC Guitar Team Celebrating PolyTune’s 2 Year Anniversary

TC Electronic Celebrates PolyTune’s 2 Year Anniversary with a ‘Mini’ Price for PolyTune for iPhone

TC Electronic launched its groundbreaking PolyTune pedal tuner two years ago, and since then, guitar players have embraced the concept with open arms. To celebrate, TC offers the iPhone version of PolyTune at a ‘Mini’ price.

The PolyTune pedal changed the game for guitarists all over the world in January 2009. With the new polyphonic tuning technology, tuning became faster and easier than ever. By simply strumming all strings simultaneously, PolyTune displays the tuning state of each string in a single, easy-to-read view. This way of tuning guitars and basses allows for much faster tuning – and for getting back to the all-important thing: Playing!

Many great artists have also picked up on the idea of polyphonic tuning, and today TC PolyTune pedals are sitting comfortably in the tour rigs of rock stars like John Petrucci, Steve Morse, Guthrie Govan and more.

Later, TC Electronic launched the PolyTune concept as an iPhone app, which is the perfect solution for acoustic guitars without a pickup. The app is a 1:1 port of the original PolyTune pedal, and it received an overwhelming response. Now, TC offers this ground-breaking app at just $0.99 until Thursday 19 January 2012. Normal price is $4.99.

SA Distributor: Prosound (Pty) Ltd www.prosound.co.za

Work Opportunities at Tuerk Technologies & Turnkey

Employment Opportunity:

Within TURNKEY MUSIC- JHB BRANCH-retail

1] Turnkey Category Manager responsible for the MULTIMEDIA/COMPUTER MUSIC/STUDIO DIVISION of the store.

As you know the store is split in two-STUDIO/COMPUTER/MULTIMEDIA and MUSICAL INSTRUMENTS/PA on the other side.

Pre-requisite that computer music products and studio gear are within your area of expertise and that you are also able to manage people , merchandise professionally and sell well.

Being self motivated is essential as you will be required to SET AN EXAMPLE for the rest of the team

2] Turnkey GUITAR [ like a real musician ] Sales Advisor

If you eat , sleep and breathe GUITAR PRODUCTS and GUITAR ACCESSORIES then this is for you.

We require someone who is passionate about ALL THAT IS GUITAR and can make this section of the store their own. Using the products Available , you will be the GO TO PERSON at Turnkey when it comes to GUITARS , ACCESSORIES AND GUITAR AMPLIFICATION

3] Opening for a TURNKEY MUSIC AND MULTIMEDIA JHB-Studio/Hi Tech/Hardware/Software/ DJ PRODUCTS advisor.

Considering TRAKTOR is one of our biggest sellers

So if you are skilled in any of these area let them have your CV.

Within TUERK TECHNOLOGIDES- JHB BRANCH- wholesale & distribution

1] Tuerk Technologies Computer Music Hardware/Software /Recording /Studio and Hi-Tech Product Sales/Relationship Manager

To represent all the hardware and software lines , plus studio products imported and distributed by Tuerk Technologies.

Including brands such as Steinberg, Native Instruments, Ableton , Sibelius , Propellerheads , Presonus , SE ELECTRONICS and many more.

2] TUERK MUSIC is looking for a GUITAR PRODUCTS , ACCESSORIES AND PA PRODUCT SPECIALIST/RELATIONSHIP MANAGER

To represent all the guitar products , accessories and new STUDIOMASTER range imported and distributed by Tuerk Technologies

Including brands such as JIM DUNLOP, MXR , BBE , ZVEX , G&L , CRAFTER , JET CITY , VOX and many more.

If you are interested in any of the above positions and would like to first test the water –  you can also JOIN AS AN APPRENTICE OR INTERN- yet still earn a good income against sales generated. The end result is EXPERIENCE & KNOWLEDGE is gained and it may well be the first step to bigger and better opportunities.

INTERESTED PARTIES:

Please email a full and detailed CV to hohner@hot.co.za

To have a musician, there must be a producer.

To have a producer, there must be a studio.

To have a studio, there must be equipment.

To have Equipment, there must be Tuerk Technologies!

The Turnkey Music and Multimedia Team

-A world of music and multimedia-

 

 

Proaudio launch introduces new showroom and products

In a glittering affair, wholesale distributors of several leading audio, DJ and instrument brands, Proaudio, introduced their new offices and showroom to invited guests. The upbeat event was highlighted by an entertaining performance by cover rock band, Supafly (also known as FLIES), fronted by guitarist/vocalist, Gavin Morein. All three members of the band have been in the music business for over two decades now and have proven immensely popular for corporate events and parties.

Popular DJ, Lady Lea, also attended, demonstrating to guests her mobile sound rig built into the boot of her sponsored Citroen consisting of two Pioneer CDJ2000 media players and a Pioneer DJM-400 mixer.

Proaudio are distributors for the following brands; Behringer, Audix, HK Audio, Hughes & Kettner, Pioneer Dj, Pioneer Lifestyle, KRK, Fane, SKB, Flight Ready and Kirlin.

Their new showroom and offices are situated at: 419 Martin Crescent, Greenhills Industrial Estate Sam Green Road Tunney Ext 6 Edenvale/Germiston.

Distributor: Proaudio | 011 822-1430 | www.proaudio.co.za

 

 

Legendary Left Hook Rockin’ Bluesman Tours UK with Carlsbro

Gregg who is among the greatest ever left hook players – he does not restring the guitar, simply playing his right hand Strat upside down – has been a leading US session man since the mid 70’s. He has recorded and toured with the likes of Fleetwood Mac, Michael Jackson, The Gap Band, Spenser Davis and even the Prague Philharmonic Orchestra; most famously as lead guitarist on Jackson’s 1984 Victory Tour.

More recently he has been a fixture of the blues circuit and international festivals, earning the accolade of “King of the Rockin’ Blues” from the Monterey Bay Blues Festival. Gregg has been playing clubs across England and Scotland on an eight date tour, from 31 October until 19 November, with regular UK accompanist Spencer Lee Horton on drums.

Gregg is familiar with Carlsbro amps, having previously demonstrated for the company and on arrival in the UK, arranged for delivery of the 50 Top for the tour. However the new 50 Top was something he hadn’t bargained for, exclaiming, “Whatever you guys have done in the development of the 50 Top since I last played one, is outstanding. It’s a completely different sound from the previous models I’ve used. My experience with the rig was an absolute pleasure and everywhere I played, people raved about the sound.” The sound engineer on the first date of the tour, at the famous Monday Blues Club in Oxford, added his praise, saying it was “the best guitar sound I’ve heard in 10 years of running sound at the Monday Blues”.

The LH1200 – 50 TOP DC is a classic ‘True Valve Amp’ inspired by the much loved original 50 Top.

The new twin channel amp head has switchable channels & two master volumes which are footswitchable. The valve complement of 4x 12AXT’s and 2x EL84’s gives you 50w of incredible power @ 8 or 16Ω’s. The preamp has a host of feature benefits including, Hi and Low sensitivity Jack inputs, 3 band EQ using Silvered Mica Capacitors, ‘Sleep Mode’ automatic muting with no input present.

Distributed by TV Audio | 011 805-9910 | info@tvaudio.co.za | www.tvaudio.co.za

 

Wharfedale Pro WPM-1 Series

The WPM-1 from Wharfedale Pro is a personal monitoring solution with a number of great features that suit performers and artists who demand perfect monitor mixes and total control. A 5” full range driver is matched to the on-board processing, EQ and amplification to provide clear, natural and intelligible vocal foldback.

The WPM-1 can be stand mounted with straight or boom mic stands, alternatively the WPM-1 can be placed on the stage itself for maximum versatility. Front panel controls allow you to fine tune your onstage vocal sound and the integration of your monitor mix. With a WPM-1 you no longer get the monitor mix that your engineer supplies; you hear exactly what you want to hear.

The balanced microphone input has a through output so your performance can be seamlessly integrated into the front of house mix. The WPM-1 also includes an instrument/line level input and mix output, facilitating use as a small format personal mixer with 3 inputs. This versatile interfacing allows the WPM-1 to fit into the widest range of on stage situations.

The WPM-1 uses the same high tech gas assist injection moulding techniques as used in our famous Titan Series loudspeakers, ensuring road tough reliability and ultra light portability.

Distributor: Audiosure | 011 790-4600 | 021 555-1617 | 031 569-9260 | 051 430-4455 | www.audiosure.co.za

 

Pearl introduces Masters Premium Legend Series Drums

For more than two decades, the Pearl Masters sound has been heard on countless recordings and in the world’s top recording studios. The Masters sound is synonymous with legendary drummers like Jeff Porcaro, Dennis Chambers, Ian Paice and many others. The Pearl Masters Premium Series offer the discerning player precision, beauty, innovation and options.

The new Legend series is a direct reaction to the constant demands from the drummers of today wanting more tone, more warmth and more flexibility in today’s ever changing Recording environment.

Both the MMP and the new Legend Series feature upgraded low mass aluminium Opti-Mounts, Masterworks / Reference bass drum spurs, bass drum claws, floor tom legs and leg brackets.

Masters Legend Series includes our revolutionary Fat Tone Hoops on all Toms and Floor toms. These are our all new thin Fat Tone Hoops with our exclusive hemmed and welded edge resulting in a hoop that is both lightweight and extremely strong to further promote maximum resonance.

Masters Legend snare drums also feature Pearl’s premium low-mass swivel tube lugs that assure perfect tension rod to lug alignment along with Pearl’s innovative Golden-Ratio air vents for improved low end response on toms and bass drums and improved attack on snare drums. All shells are constructed using Pearl’s exclusive SST Superior Shell Technology manufacturing process.

The New Legend series drums are ideal for all musical styles for example; R&B, Classic and Heavy Rock, Folk, Jazz, Punk and Country.

Distributed by Tradelius Music Group | 031 502-3080 | www.tradelius.co.za

 

AKG launches CBL 410 PCC plug and play desktop microphone

The AKG CBL 410 PCC is a simple to use, plug and play desktop microphone for use with any PC or Laptop. It improves audio quality incredibly when making a conference via VOIP. The microphone reproduces the voice with a clear and natural sound.

With its 3,5 mm stereo jack it is a 100% plug and play device. No drivers are needed.

Its ability to be cascaded makes the CBL 410 PCC the perfect tool for modern communication for both single person use in the office and/or multi-person use in a modern meeting room.

This microphone provides optimum intelligibility and audio quality for your meetings. The CBL 410 PCC is also an excellent choice for recording applications. Available in black or white.

Distributed by Wild & Marr

011 974-0633 | 021 787-9378 |

031 564-3877 | www.wildandmarr.co.za

 

Paul Bothner Music N1 City Superstore Birthday Sale Break Up Party!

Three Days Only: 8 till 10 Dec 2011

MASSIVE Deals on All the Gear You Want

Deals to Beat Any Economic Situation

Full Range of Musical Instruments, Accessories, Sound Reinforcement, Studio Gear and more.

Kids and Family Entertainment for the Day, All You Need for Your Christmas Shopping.

Wed 7 Dec 2011 – Mark Haze – Meet and Greet

- 18H30: Meet and Greet Mark Haze: Idols Top 3 Finalist

While Getting a Sneak Peak at the Birthday Prices

Fri 9 Dec 2011 – Live Performance By:

-13H00: DJ ONQ – 2011 DMC DJ Champ and Akai Professional Endorsee

Will be Rocking the Decks while Keeping You Entertained

Sat 10 Dec 2011 – Live Performance By:

- 11H00: System Renegade – The All Bishops Boys Band

Will be Getting the Break Up Party Rocking

 

P2 Stays Ahead of the Curve – TC Electronic Releases Free Software Update for P2 Level Pilot

TC’s P2 5-band loudness controller and limiter becomes fully compliant with ITU BS.1770-2, EBU R128, ATSC A/85 and TR-B32.

True-peak limiting was invented by TC, so that was available in P2 long before the new ITU and EBU standards. Hi-res fixed point DSP, loudness correction, 5-band processing, on-line delay adjustment, P2 covers it all.

With the new version 2.35, dedicated processing and presets for working within ITU BS.1770-2, EBU R128, ATSC A/85 and TR-B32 environments is instantly available. The new version even lowers an already impressive latency of 1.8 ms to only 0.8 ms.

Trickle-down Processing

The most audio-friendly and the least work-intensive way to simulcast to multiple platforms is known as trickle-down processing. P2 version 2.35 includes trickle-down presets for Mobile and iPod platforms within ITU BS.1770-2, EBU R128, ATSC A/85 and TR-B32 environments; still at 48 bit resolution and still at a latency of only 0.8 ms.

Broadcast Bricks

TC Meters, TC Processors and Dynaudio speakers are coherent bricks in an ever-changing broadcast puzzle. P2 is a natural part of a closed loop that also includes:

Radar Meters: LM2, LM5D, LM6, TM7 and TM9.

Processors: System 6000 MKII, DB2, DB4 MKII and DB8 MKII.

Monitor Controllers: BMC-2, System 6000, AIR.

Logging Systems: LM2, DB4 MKII and DB8 MKII.

Finally, the Icon application, included with P2, even provides a common control environment for more than 30 devices, accessible from a PC, a Mac or an Icon hardware remote for ultimate flexibility.

Download P2 Software Version 2.35

 

LM6 Radar Loudness Meter Support for the New AAX Plug-in Format

TC Electronic Announces LM6 Radar Loudness Meter Support for the New AAX Plug-in Format

TC confirms that its cross-platform LM6 Radar Loudness Meter, scheduled for launch December 2011, will also support Avid’s new AAX plug-in format.

At the recent AES Convention in New York City, Avid presented a new plug-in format for Pro Tools 10: AAX (Avid Audio eXtension). One of the most frequently asked questions for third-party plug-in developers during the show was how soon they would be able to support this new format. TC is proud to announce that its LM6 Radar Loudness Meter, which was also revealed at AES, will in fact support the new AAX format right from the start.

LM6 Radar Loudness Meter will be available in VST, AU, RTAS and AAX Native versions December 2011.

SA Distributor: Prosound (Pty) Ltd

www.prosound.co.za

 

 

Win a Reverend Buckshot Guitar

 

 

 

Guitartone have been appointed South African agents for Swart Amplifiers, Reverend Guitars and Two-Rock amplifiers

To celebrate they are giving away a Reverend Buckshot Guitar.

All you have to do is visit their website – www.guitartone.co.za/ – and then send them an email via their contact page telling them what you think of these products.

Make sure you include your physical address and contact numbers.

You have until 30 November to enter.

Winners announced 7 December.

www.guitartone.co.za

 

 

TC Electronic Presents Michael ‘Padge’ Paget TonePrints for Vortex Flanger and Flashback Delay

Michael ‘Padge’ Paget, lead guitarist of metal sensation Bullet for My Valentine, creates personal ‘Sunny Day’ and ‘Tears’ TonePrints.

At first Michael set out to make an extreme tone for TC’s Vortex Flanger pedal, but once the creative process started, inspiration pointed him in a different direction. Rather than going to extremes, Michael ended up creating a subtle and slow-ocean-breeze-on-a-sunny-day kind of tone. As always TC lets the TonePrint artists name their own TonePrints, and I this case, Michael found it natural to simply call it ‘Sunny Day’.

For the Flashback Delay pedal, Michael decided to go for a nice analog delay with a bit of chorus on the repeated notes – a beautiful and evocative tone he decided to name ‘Tears’.

Michael ‘Padge’ Paget is the lead guitarist of the Welsh heavy metal band Bullet for my Valentine that has sold more than 2,5 million albums worldwide. When touring the world with Bullet for My Valentine, Michael also uses a TC G-System for effects and control of his live rig, and to him it simply eliminates the hassle of constantly having to do the stomp-box-tap-dancing on the stage.

Michael’s Sunny Day TonePrint for Vortex Flanger is now available as a free download on TC Electronic’s website or as part of the free TonePrint App for iPhone.

Finally, TC Electronic gives away a Flashback Delay and a Vortex Flanger – both signed by Michael ‘Padge’ Paget. The winner will be drawn 2nd December 2011. To take part in the competition, just connect with TC on Facebook.

 

Alex Hutchings SA Clinic Tour 2011

Announcing the South African dates for Alex Hutchings‘ Guitar Technology Tour

TC Electronic launches groundbreaking TonePrint

 

Shure Drum Mastery Drumming Competition at AVA Expo

Book to play and receive FREE ENTRY to the Expo

Amateur drummers – stand a chance to win €5,000 of Shure equipment and a trip to Iceland – all at the A.V.A Expo!

Shure has launched the first Shure Drum Mastery Competition which is currently running in 20 Countries across the globe. Shure is looking for the best amateur drummer to receive this prestigious accolade and to win a trip to Reykjavik, Iceland where 5 finalists will then battle against each other in front of a live club audience.

The 5 finalists will be determined by a panel of prestigious judges who will choose from a shortlist determined by votes on the website, www.drum-mastery.eu. All 5 finalists will be flown to Iceland in March where they will receive a one day drum masterclass with Darren Ashford and will spend some time with a Shure sound engineer to learn miking techniques and tips.

So how do you enter? First, visit www.drum-mastery.eu to download the track and the entry form. Prepare your set and master the track by giving it your own personal style and get ready to give it your all at the A.V.A Expo at the Sandton Convention Centre from Nov 10th -13th where Shure, along with The Music Emporium, has created a special drumming booth where you can play along to the track whilst being filmed. . You will receive your video on disc and then simply upload your video to the site and then make sure all your friends and fans vote for you – and you could be on your way to Iceland!

The winner will be chosen by the final vote of the live audience and will receive a voucher worth €5000 to spend on Shure audio gear.

The competition runs on-line until Dec 16th. To get a professionally filmed version of your performance, you NEED to get to the A.V.A Expo from Nov 10th – 13th. For those wanting to pre-register to enter or book your set, you can even receive FREE ENTRY to the Expo, simply mail your name, email address and phone number to rac@global.co.za or call Carmin on 073 170 6665.

The competition is open only to AMATEUR drummers, meaning you don’t make a living from playing the drums. The 5 finalists also must be OVER 20 years of age due to legal restrictions in Iceland. Entrants under 20 years of age can win Shure equipment. Please check all the terms and conditions on the web-site.

 

Guitar Month – Play Different

Musical Success Means Standing Out From the Rest

This Guitar Month they’re Focussing on Ways to Sound Different, Think Different and Work Different.

HUGE SALE!

Get the Gear that Makes the Difference

Get the Knowledge

There’s a Free Workshop Every Week

GET THE PRIZES!

Win Your Choice of a Boss ME-25 or ME-20B Effects Unit!

Plus 3 for 2 Specials on All Strings and Picks!

Sat 12 Nov @ Northern Suburbs Superstore (N1 City) 11h00

Three’s a Company: Individual Brilliance on Bass Guitar

4, 5 or 6 string bass. Explore how you can stand out in your band.

Presented by Schalk Joubert, Shawn Johannes & Rob Stemmet

For more info on Guitar Month

TC Electronic Has Something Unbelieveable Going On

TC Electronic raises the bar once again as it introduces a new, mind-blowing technology guaranteed to take inspiration to new heights!

For decades, TC Electronic has provided innovative tools for musicians in general and guitarists in particular. Its team of engineers have created world-class effects of all types and in all shapes and forms, developed the world’s first polyphonic tuner and brought artist collaboration to a whole new level with the revolutionary TonePrint® technology - just to point out a few highlights.

Now guitarists everywhere should prepare to be blown away, as TC Electronic is about to introduce a new technology that will take tonal flexibility and creativity to a level that is one step below pure magic.

Watch the teaser video and stay tuned for launch in November 2011.

SA Distributor: Prosound (Pty) Ltd

www.prosound.co.za

 

 

 

Marshall Music Cape Town Folk and Acoustic Music Festival Competition

Attention musicians: Marshall Music and the Cape Town Folk and Acoustic Music Festival are offering you the chance to win an opening slot at the event on 10 December 2011, an acoustic guitar plus free elixir strings for a year! Open to all ages.

How to Enter:

Cape Town: upload a 1 minute video of you playing your most outstanding performance to our fanpage on Facebook and email the video Facebook link or your video file (size no more than 10MB) along with your full name, city and contact details to marcel@marshallcape.co.za

Johannesburg: upload a 1 minute video of you playing your most outstanding performance to our fanpage on Facebook and email the video Facebook link or your video file (size no more than 10MB) along with your full name, city and contact details to info@marshallmusic.co.za

Closing date for entries is 25 November and the winners for Cape Town and Johannesburg will be announced on 29 November 2011.

Terms and Conditions apply

See: Cape Town Folk and Acoustic Music Festival

BBE Sound is back in SA

 

Revamped Pro-Audio & Hi-Tech Department

Join them as they Celebrate their Bigger, Better Hi-Tech & Pro-Audio Department

Time: Saturday 15th October 2011

Shop Hours: 8:30am – 2pm

Venue: Paul Bothner Music Plumstead Superstore

Address: Shop G7, Richmond Centre, Main rd Plumstead, Western Cape

More Space for Demos

More Shop Space for more Gear

Better Shopping Experience! Wider range of stock

Look out for our Crazy Specials on Saturday 15 October

Performance by DJ ONQ

South African DMC DJ Champ!

Just back representing South Africa at the DMC Championships in London,

Safwaan Goodeneough is a multi-talented phenomenon, not to be missed!

Time: 11:00 am

Get Your Axe Ready for The Big Time

by Matthew Rowley (Pro Guitar Technician)

Time: 11:30 am

In this free musicians’ workshop, Matt will becovering guitar set-up

and maintenance, like you’ve never seen before!

Live Performance by Louise Day

Highly talented, Louise is a Paul Bothner Music endorsee.

Time: 12 pm

Opening Ceremony with Ribbon Cutting by Larry Joe and more…

 

WIN the Singer’s Dream Setup!

The world’s leading vocal effects company, TC-Helicon, is giving away the Ultimate Vocal Rig in conjunction with Singing Success to one lucky Facebook user!

Every vocalist knows that having great singing technique is an important part of their craft, but having killer sound and effects to support, capture, enhance and deliver their vocal sound on the live stage is another aspect entirely. You can be the best singer in the world, but sadly this is of no use if your voice isn’t being delivered to the audience’s ears in the best way possible.

TC-Helicon understands this all too well… and so, with this competition singers will not only have the chance to further hone their vocal technique with Singing Success, but also have control of their sound and effects being the very best they can be. The competition runs until 7th November and gives entrants the possibility to win a prize package of awesome TC-Helicon vocal effects, an iPad 2, a complete PA System, vocal lessons and Singing Success products!

The Grand prize in this competition includes a VoiceLive 2 Extreme, VoiceLive Touch, iPad 2, Yamaha Stagepas 500, and more, including all of the cables needed to put it together. There are 2 other prizes which include a complete set of TC-Helicon’s VoiceTone Singles and the Ultimate Vocalists Gig-Bag. All prizes come with a free live online lesson from Singing Success’s Brett Manning as well as the full Singing Success program.

To enter the competition simply click ”like” on both TC-Helicon’s and the Singing Success Facebook pages. The winner will then be chosen at random from users who like both pages.

Find out more about the “Ultimate Vocal Rig” competition”

 

Studio Gear: MCX24 Console

Studio Gear

Studiomaster consoles have a long and spotted history that is known to as many professionals in the audio field as it is not. Established in 1976 in a chicken shed in Cheshunt, England under the name Recording Studio Design (RSD), the company was originally created as an answer to the demand for high power amplifiers for PA systems which were at that time being powered by expensive American brands. Before they knew it, and from a little help from the endorsement of their amplifiers by Pink Floyd, RSD grew into building mixing consoles, culminating in a focus on the studio market under the name Studiomaster. Eventually their name and brand grew considerably, producing notable mentions over the years like the Series 2, Mixdown, P7 and T24 studio consoles.

Nowadays the company is based in Bedfordshire, England and after building a new manufacturing facility in the Far East, their product line is bigger than ever, including products like line arrays, digital DSP units and studio monitors. Showcasing their mixer range is currently the MCX class of medium format mixing consoles, aimed at both the live and studio markets.

Construction

The MCX range is available in five sizes: 12,14, 24, 32 and 48 channels. They all are ruggedly built; employing a stiff steel chassis all contained within a high quality wheeled branded flight case, which comes standard with the MCX24 and above. What caught my eye about this console is that the channels are installed in 8 channel modules, along with a modular master section. This makes servicing a lot easier and for some reason gives the impression that they are of a higher quality than other brands in a similar class, such as Mackie or Soundcraft.

Overall the build quality seems solid and robust. The knobs feel rooted to their bases – some knobs on certain consoles can seem flimsy – and the 100mm faders ride smoothly and feel well seated. I would certainly say that these consoles were built to take abuse in a live environment but still retain a feature set worthy of the studio.

Channels

Although features like channel count will certainly vary depending on which MCX console you get, the overall features are the same, particularly within the master section.

Inputs

Focusing on the MCX24, you get 24 mic inputs and four stereo inputs. On each mic channel you will find a four band sweepable EQ, mute and listen (solo) facilities, a high pass filter (18dB/oct @ 80Hz), phantom power, and a pad. It is not specified how many dB the pad cuts and I found it curious that the pad was only reserved for the line inputs. The EQ on the stereo channels has a fixed frequency per band, which is pretty standard for mixers of this level.

What’s handy about the stereo channels is that they also include a mic input, which can be used simultaneously with the stereo inputs, giving a total of three inputs per channel. This is indeed flexible. The mic inputs supply the now standard 60dB of gain; the mono line inputs get 40dB, and the stereo inputs 12dB which is more than enough for most needs. Inserts are found on every mono channel as well for easy connection of outboard gear.

Other inputs include a 2 track input (called a playback input) and a handy talkback input which can be routed to either L-R, group 1-2, or any of the auxes with the push of a button.

 

Studio Master MCX24 Console

“The MCX range of mixers have created a new level in price performance for the discerning sound engineer, installer, and band.”

Groups, Auxiliaries and Oscillator

The MCX24 supplies four sub-groups that can each be panned individually within the L-R bus when assigned as such for mono or stereo operation. Alternatively they can be used in what is called “Stage Mode” which “swaps the group and mix faders with the auxiliary send controls effectively producing a monitor mixer”. This is a very handy feature that I’m sure rental companies will find alluring.

Every input channel on the mixer can be routed to either the L-R bus or the sub-groups by way of standard routing buttons situated next to the channel faders. Each sub-group also has its own four-tier LED meter, which indicates signal below 0dBu, at 0dBu and +4dBu, and lastly indicating an overload.

Regarding auxiliaries, you get six and all are switchable to be either pre or post fader, which is a welcome feature that is only seen in higher end consoles. Something that made me happy when I first looked at this console is the included oscillator that can be set to put out either pink noise or a 1kHz sine wave.

Both are essential for system calibration and room EQ adjustment and when engaged can be assigned to any of the busses or auxiliaries via the talkback buttons. This is definitely something you do not find on other consoles in the medium format class.

Outputs

The MCX24 has a variety of outputs which suit both the studio and a live situation. Starting with the mono channels, you will find a direct out for each. This is obviously handy if you’re multi-tracking or if you’re making a live recording. As mentioned before, this console was designed to be at home in both live and studio situations and being as such, there is also a monitor out included for easy connection to your studio monitors. There are outputs for all busses including L-R, and sub-groups 1-4. Each bus gets its own insert too, which is great when you want to, for instance, strap a stereo compressor over the stereo drum bus.

When not in Stage Mode there are separate TRS outputs for auxiliaries 1-6. All TRS outputs are balanced. Lastly, there is a stereo recording output using the RCA-type connector and a mono sum output which can be switched to either be fed from the L-R bus or the listen bus.

Master Section

The master section houses all of the master controls and faders for all auxiliaries, sub-groups and busses on the MCX24. Also included are two XLR sockets for two 12V lamps, a headphone output, monitor level control, oscillator level control, and a 12-bar LED meter showing level from -30dBu to overload.

One notable feature that you do not find on many consoles in this class is a mute and listen facility for each sub-group and for the L-R bus. This effectively changes your sub-groups into mute masters.

In Use

I found the MCX24 straightforward and intuitive with all of the features one would need for most if not all mixing and recording situations. The mic preamps sounded clean and uncoloured, although lacking character. This is probably a good thing since a console designed to fit into so many applications would probably benefit from a preamp that is clear and representative.

The EQ sounded particularly good and I felt that it covered the spectrum well with minimal harshness when pushed hard. The oscillator was particularly useful when calibrating and checking the room for inconsistencies and I commend Studiomaster for including it.

Overall the operation was pretty standard for a mixer in this class so anyone that is comfortable on medium format consoles will find it familiar. It was most definitely the little things that made the mixer stand out and I think that it will give other mixers in its class, like the Soundcraft GB series, a run for their money.

Conclusion

The Studiomaster MCX24 is an impressive mixer for this price point. I have absolutely no complaints about it and will even say that it rivals some of the better known and established console manufacturers. Two thumbs up!

REVIEW: Greg Bester

Supplier: Tuerk Music Technologies | (011) 792 8402

Suggested Retail: MCX24 – R 29,995-00 | MCX32 – R 37,995.00 | MCX48 – R 68,995.00

www.tuerkmusic.co.za

 

 

Tech News: Introducing the DPA d:fine™ single-ear headset microphone

Introducing the DPA d:fine™ single-ear headset microphone

 

 

 

 

 

 

 

 

The new d:fine™ headset mics join the classic DPA 4066 and 4088 headworn models which are loved the world over and widely used by the international theatre, broadcast and conference markets. The new d:fine™ headsets have been named to reflect their accurate audio definition and natural sonic characteristics. The very fine spring automatically adjusts the headset to each wearer, ensuring that the earpiece stays in place by applying consistent pressure regardless of ear size. It can easily be taken on and off by the wearer, returning to its original shape each time. Just by rotating the boom, the microphone can be moved from left to right ear, or into the optimum position. And as the microphone isn’t hard-wired into the headset, the cable can be replaced cheaply and easily. The d:fine™ headset is available in black and beige, in omni and a directional versions.

d:fine™ omni headset mic

The d:fine™ Omni is sensitive to sound from all directions making the positioning of the headset less critical and can be done by untrained personnel. It is truly a plug-and-play solution for any situation.

Pristine audio quality

Easy and intuitive mounting

Minimal visual impact

Adapts to all pro wireless systems

d:fine™ directional headset mic

The d:fine™ Directional rejects side and background noise while creating higher separation from nearby sound sources which improves the gain-to-feedback ratio and gives more channel control. Yet still, natural voice intelligibility is preserved along with its very high SPL capabilities one can both speak and sing with no hint of distortion.

Pristine audio quality

Easy and intuitive mounting

Rejects background noise

Adapts to all pro

Distributor: Prosound (Pty) Ltd | 0861 4SOUND | www.prosound.co.za

 

Tech News: Carlsbro Kickstart 25 Guitar Amp Combo

Carlsbro Kickstart 25 Guitar Amp Combo

The Carlsbro KICKSTART 25 20W 2 Channel Overdrive Reverb Guitar Amp. Electric and bass guitar amplifier with great tone. The Carlsbro KICKSTART 25 is a budget guitar amplifier that represents a high quality at a low price, ideal for both electric and bass. This practice amp is ideal for bedroom and home use as it has a headphone socket for silent practice.

The main features of the Carlsbro KICKSTART 25 include:

The KickStart 25 offers great tone, fantastic features and excellent value for money

20W RMS

8 inch Speaker

Twin Switchable Channels

Gain Control

3 band EQ

Reverb

Headphone Socket

FX Loop

Dimensions (HxWxD)mm : 310 x 315 x 205

Weight : 5.5kg

Distributed by TV Audio | +27 11 805 9910 | info@tvaudio.co.za | www.tvaudio.co.za

Tech News: Carlsbro Kickstart Bass 20, 20W Bass Guitar Amplifier Combo

Carlsbro Kickstart Bass 20, 20W Bass Guitar Amplifier Combo

The Kickstart Bass range features the same attention to the requirements of the modern bassist as the Kickstart guitar range. Their design enables anyone to start playing with the minimum of fuss, plus they have impressive features and sound quality to satisfy the more experienced guitarist.

20W RMS

High Impedance Universal Input

Variable Input Gain Control

Input Limiting

Peak Power Indicator

Powerful Active Three Band EQ

MP3 / External Audio Input & Headphone Output

British Designed Kevlar Reinforced 8” Powertone Loudspeaker

Distributed by TV Audio | +27 11 805 9910 | info@tvaudio.co.za | www.tvaudio.co.za

 

Tech News: Tuerk To Distribute K-Array

Tuerk To Distribute K-Array

Big sound, small size!

In a recent press release Tuerk Technologies announced that the company is proud to distribute this innovative brand of high-quality, ultra-compact loudspeakers. K-Array has developed ultra-compact sound solutions technologies since 1990. They have concentrated their efforts and resources into the design and manufacture of highly efficient audio systems that produce unparalleled sonic accuracy.

K-Array has a complete range of products to suit any application from large-scale arenas to almost invisible systems for theatre, worship, corporate and on-camera presentations that demand speakers that are heard but not seen.

Distributed by Tuerk Music Technologies |

(011) 792-8402 | www.tuerkmusic.co.za

 

Tech News: Product Spotlight – Peavey 6505 212 Combo 2×12 Guitar Amp

Product Spotlight: Peavey 6505 212 Combo 2×12 Guitar Amp

A lean tone machine

The 2×12 Peavey 6505 212 Combo Guitar Amp pours out a punishing 60W through 2 Sheffield 1200 speakers in a closed-back cabinet for aggressive tone with plenty of low end. The Peavey 6505 Amp features a footswitchable lead/rhythm channel select and reverb defeat. Master controls include 3-band EQ, resonance, and presence. Rhythm channel uses pre/post gain controls and bright/crunch switches. Lead channel has pre/post gain controls only. Footswitch included. The 6505 Series guitar amplifiers are named in celebration of Peavey’s first 40 years, (1965-2005). While known as the 5150 Series, these amps became the undisputed go-to guitar amps for scores of rock, hardcore, and metal bands because of their raw tone, relentless power, and road-proven reliability. Made in the USA.

Features

60W

Closed-back cabinet

2 – 12″ Sheffield 1200 speakers

2 footswitchable channels

Reverb

3-band EQ

Resonance

Presence

5 – 12AX7 preamp tubes

2 – 6l6 power amp tubes

Distributed by Tropical Music| (011) 025 7636 |

 

Tech News: Product Spotlight – Peavey 6505 212 Combo 2×12 Guitar Amp

Product Spotlight: Peavey 6505 212 Combo 2×12 Guitar Amp

A lean tone machine

The 2×12 Peavey 6505 212 Combo Guitar Amp pours out a punishing 60W through 2 Sheffield 1200 speakers in a closed-back cabinet for aggressive tone with plenty of low end. The Peavey 6505 Amp features a footswitchable lead/rhythm channel select and reverb defeat. Master controls include 3-band EQ, resonance, and presence. Rhythm channel uses pre/post gain controls and bright/crunch switches. Lead channel has pre/post gain controls only. Footswitch included. The 6505 Series guitar amplifiers are named in celebration of Peavey’s first 40 years, (1965-2005). While known as the 5150 Series, these amps became the undisputed go-to guitar amps for scores of rock, hardcore, and metal bands because of their raw tone, relentless power, and road-proven reliability. Made in the USA.

Features

60W

Closed-back cabinet

2 – 12″ Sheffield 1200 speakers

2 footswitchable channels

Reverb

3-band EQ

Resonance

Presence

5 – 12AX7 preamp tubes

2 – 6l6 power amp tubes

Distributed by Tropical Music| (011) 025 7636 |

 

Tech News:TUERK introduces a selection of G & L Guitars

TUERK introduces a selection of G & L Guitars

Tribute Series, USA Series & 30 Year Anniversary Models

A LITTLE BACKGROUND ON G&L GUITARS MADE IN THE G&L CUSTOMS CREATION DEPARTMENT:

The G&L Custom Creations Department brings together a team of their most experienced craftsmen, in a venue where they find inspiration to explore ideas and freedom from conventional production requirements. The only requirement is that every CCD instrument must embody distinctive tonal or visual characteristics which sets it apart from the range of custom-optioned instruments that are built on a regular basis. While CCD instruments are not regularly available for order, these instruments are built to the same superb standard of craftsmanship as their ongoing line of hand-crafted G&L instruments.

Limited Edition instruments produced by the G&L Custom Creations Department will include special documentation, both in certificate form and on the instrument itself. Special hand-marked identification bearing the model name, the number produced, date of instrument completion and signature of the G&L Plant Manager will appear on the rear of the headstock, with corresponding identification discreetly located on the body itself. A certificate included will show all of the information found on the instrument, as well as details as to the origin of concept, purpose, and distinctive features.

Distributed by Tuerk Music Technologies | (011) 792-8402 www.tuerkmusic.co.za

 

Tech News: Ibanez Grooveline Bass Guitars

Ibanez Grooveline Bass Guitars

Ibanez has enhanced the comfort and playability of the traditional bass guitar design to make the Grooveline the perfect tool that works the groove as part of your body. The ergonomic body shape provides the perfect balance for playing, either sitting or standing.

GROOVELINE SERIES BASICS

Precision-made in Japan

The Tight-End bridge, made from solid brass, marries the string and body with no loss of vibration

CAP “Sonic Arch” pickups provide clean, thick bottom and crystal-clear highs

E4 3-band dedicated eq for 4-string model

E5 3-band dedicated eq for 5-string model

Includes deluxe hardshell case

Distributed by Midi Music | 011 417 3400 | www.midimusic.co.za

 

 

 

Featured: Staind

Staind

Chapter VII

“There’s no question that the majority of our success has come from some of the softer songs that we’ve done…”

Sixteen years after their inception, melodic hard rockers Staind are still going strong. Surviving nu-metal, metalcore and even the current post-hardcore era, the Massachusetts outfit are always a constant on the charts and playlists of rock fans around the globe. In fact, it seems like all that Aaron Lewis (vocals/guitar), Mike Mushok (guitar) and Johnny April (bass) touch, inevitably turns to gold.

Unlike many modern counterparts, the band have had a regular line-up for most of their entire career – until the recent exit of Jon Wysocki (drums), who left after the recording of their new album. Undeniably, this departure must make things feel a little different in the Staind camp, and the remaining members will have some thinking to do about finding an adequate replacement for Jon.

“Of course…it is definitely different. It wasn’t an easy choice or path,” says guitarist, Mike Mushok. “As of right now, we have our drum tech, Sal Giancarelli, who is also a great drummer, playing drums for us. We have plans to try and do some auditions, possibly towards the end of the year, because we don’t have a lot of time right now.”

Get Heavy!

One of the reasons why the trio might not have much time on their hands is because they’ve just dropped a brand-new self-titled release, their seventh studio album. Refusing to release another collection of soft songs, Staind have promised that their new album will feature harder and heavier material – but why the sudden change?

“We felt it was time. Especially with our last record [2008’s The Illusion of Progress], [where] we experimented and wanted to try something different, and we did that and we were happy with how it turned out,” Mike says, before adding how the band discussed the direction of their next album after TIOP and how they were going to go back to their roots. “I focused on writing heavier songs and making a heavier record. We’re really happy with the end results and how it came out. It’s definitely a return to where we came from, but with a more modern sound.”

It’s actually quite surprising that Staind have gotten heavier now in their old age (snicker), because most bands seem to get softer as their career progresses. Perhaps the band decided that they don’t want to be remembered just for their ballads?

“I definitely consider us a rock band,” Mike laughs, insisting that he hopes that no one considers Staind as just a ballad band. “Even if you go back to our last record, there’s still some heavy songs on there – it’s always been a part of what we do – but there’s no question that the majority of our success has come from some of the softer songs that we’ve done.”

Deadlines and Legacy

Interestingly, for the first time in the band’s history, their record label gave them a deadline for their new album. So, did this deadline make the band feel pressured or did it force them to just deliver a raw record without over-thinking too much?

“That’s a good question,” Mike pauses. “I don’t know if we’ve ever over-thought anything. There’s always pressure when you go to make a record. You always want to do something different and come up with a group of great songs – in that, it creates its own kind of pressure, especially if you’ve had any kind of success. I do think that the pressure was definitely more on this record for that reason. More so for Aaron, as the songs were pretty much done – he writes the lyrics around the music once it’s done. While we were doing it, he was doing his solo thing, so it made for a difficult process, but I really think he stepped up and did a great job. Funny thing with Aaron is that he kind of needs that pressure to get things done.”

In closing, I ask Mike the hypothetical question: if Staind were to end tomorrow, would this to be the album he would want to be remembered for?

“Sure. I’m definitely proud of this record. You have to feel like the last record you’ve put out is the best thing you’ve done. If you don’t feel that way, then the record is probably not done. I do think from all that pressure and turmoil of making this record, something great came from it.”

Prosound Sound School

Prosound Sound School

Prosound has played an integral part in the industry for nearly 40 years, and have gained an immense amount of experience and insight into the local sound industry. Prosound will again be hosting ‘Sound School’ – a short sound course aimed at people operating sound systems for churches and schools, as well as DJ’s, muso’s etc. that want a better understanding of sound.

The 4-day course will start on the 17th of October at 6PM, and finish with an in-depth practical session on Saturday the 22nd of October. Please download attached brochure for more info or contact Buyiswa at Prosound head office.

Tel: 0861 4SOUND

Shadowclub – Live and Streaming

Shadowclub – Live and Streaming

Shadowclub is a three-piece rock band based in Johannesburg, and have been creating a healthy stir with their debut album Guns and Money. This is a straight-up rock band with a sound reminisce of early 60/70′s rock bands, but with a modern angle. Prosound hosted the Shadowclub who played a live set in the Prosound Demo room, whilst streaming the complete show live via Rhythm100 internet radio.

With such a heavy blend of rock the obvious choice was to utilize the Electro-Voice PA system, complimented by a host of Electro-Voice microphones and Klark Teknik processing. The sound was absolutely great and the bands performance was spot-on, with some exceptionally great feedback from some of the listeners.

Supplier Details: Pro-sound

Tel: 0861 4SOUND

Midas Digital Goes Compact with the Pro 2

Midas Digital Goes Compact with the Pro 2

Word from PLASA was that the MIDAS stand was by far the busiest as people were literally queuing for a glimpse of the new kid on the digital audio block, the Pro 2.

Following on the heels of the universally acclaimed XL8 and the recent Pro Series family of the Pro 9, Pro 6 and Pro 3, the Pro 2 provides a no compromise but yet cost effective and accessible digital mixing console solution for the working professional sound engineer, that is complete with the Midas sound and heritage.

Offering 64 simultaneous input processing channels and 32 outputs, and available in a choice of two control surface packages, the Pro 2 is the new benchmark in small footprint digital consoles. The Pro2 is an all inclusive package, comes standard with a flitecase and digital molt.

 

 

Supplier Details: Pro-sound

Tel: 0861 4SOUND

South Africa’s independent Vehicle Sales Academy invests in HK Audio Elements

South Africa’s independent Vehicle Sales Academy invests in HK Audio Elements

German speaker manufacturer HK Audio continues to make inroads into the South African event and sound market.

South Africa’s only independent Vehicle Sales Academy, Innermation, has invested in the HK Audio Elements speaker system which was supplied by authorised dealer The Sound Shop.

“We were looking for a scalable system that would suit the multimedia needs in our lecture rooms, with the ability of then matching the components together to form one large system for our road shows,” commented Stefan Vermaak, founder and head of Innermation. “After doing some research I discovered the HK Audio Elements system, which suits our requirements to a tee. The coverage and sound clarity that you get from the Elements system is astounding – better than many systems I have previously worked with and I am sure it will also make an impression at this years’ Johannesburg International Motor Show!”

The HK Audio Elements is an innovative line-source system that links the advantages of modern line-array technology with the easy handling of ultra-compact P.A. systems. Consisting of six components, Elements offers a portable sound reinforcement solution that adapts to the varied needs of the user. Components can be added or removed from the system via E-Connect, a unique new integrated coupler/bus that provides a quick “mix ‘n match” to adapt to any scenario.

“The folk at Innermation were totally impressed with the initial demonstration in the Pro Audio showroom” added Andrew Sorrill, HK Audio Specialist at the local agency Pro Audio. “After using a mid high per side with one sub for their lectures they decided to purchase the complete Elements system for use in all their venues and then build it together for the road shows.”

Tel: (011) 822-1430

Fax: (011) 828-8008

www.proaudio.co.za

 

The Music Business Master Class

The Music Business Master Class

 

Academy of Sound Engineering, in conjunction with David Chislett and Nick Matzukis, are proud to present the Music Business Master-class (MBM): the one-stop business course for the modern musician trying to make it in the new music industry.

The industry is abuzz with talk of how the music business has changed, how no-one needs a record deal anymore, and how easy it is to do everything yourself as an independent. The problem is however, that there is not enough information readily available for average South African musicians to empower themselves to take advantage of the situation. That is all set to change.

Many course and ideas have surfaced, but the MBM is the one where you can find out everything in one place, taught by two highly-respected industry personalities in a professional music environment.
Presented by Nick Matzukis and David Chislett, under the auspices of the Academy of Sound Engineering, the MBM is a two-month skills programme that covers everything from contracts and contract law, to marketing and the use of the digital arena. It is the only truly comprehensive course available that will empower musicians and managers of any level to seize control of their careers by understanding the business and then being able to take advantage of the new business terrain in the music industry.  This course, pitched at the highest level, is designed to teach you everything you need to know about making money out of the music industry.

The programme covers:

Getting started: thinking about your music
Artist agreements: steering your project
Income streams
Planning for Success
Marketing start
The digital arena marketing, reach
Business Models
Industry overview key players (SA and internationals)
Royalties
Contractual Principles
The Record Deal and its variants
The Publishing Contract and its variants
The Artist Management Agreement and its variants Copyright

With a one-off introductory offer of R5 950.00, the MBM is now available.
The programme takes place 2 nights a week for 2 months at the ASE campus in Auckland Park from February 2012. The course fee includes tuition, some working materials, a copy of Nick Matzukis’ Book “South African Music Law And Contracts“ and a copy of David Chislett’s Book “1,2,1,2: A Step By Step Guide To The SA Music Industry.”
The first programme kicks off in February 2012 and registration is now open
For more information or to book your place contact:  (011) 482-9200 or georgej@ase.co.za

David Chislett
Speaker Writer Consultant
083 245 6412
www.davidchislett.co.za

The Legacy that Leo Fender began in 1946 has continued to be the soul of G&L guitars

The legacy that Leo Fender began in 1946 has continued to be the soul of G&L guitars. Today, G&L is committed to preserving the memory and rich history of Leo Fender, as well as his passion for creating instruments musicians will embrace for decades to come.

The G&L Tribute Series offers the unmistakable G&L tone and sustain, the feel and the innovative features for well under half the price of their U.S.-made G&L counterparts. They’re not budget guitars by any means, but comparable with the best production models of other leading guitar companies, and superior in quality.

The 3 models they have initially received are the Legacy, ASAT Classic and L-2000 Bass

Ø    Legacy-RSP-R6995.00

Ø    ASAT Classic-RSP-R7595.00

Ø    L-2000 Bass-RSP-R8595.00

For TURNKEY PRICES on these wonderful guitars give PETER B a call at Turnkey 011 7928272

Why should you look at G&L Tribute Guitars & what sets these guitars apart from the other guitars ?High Quality Tonewoods – The Tribute guitar bodies are made of high-grade swamp ash, excellent for the rich resonance that results in vibrant guitar tone and ample sustain and its attractive grain looks great under transparent finishes.

Extremely Comfortable Necks

The necks of the Tribute guitars are made of premium hard rock maple and the profiles and fingerboard radiuses match those of the corresponding USA models, so the Tribute guitars have much the same playing feel.Stellar sounding USA-Made Pickups – The Tribute guitars and basses have the same U.S.-made, handwound Magnetic Field Design pickups designed and patented by Leo Fender. They offer individual adjustment of each pole piece, letting the player effectively adjust the output of each string on each pickup. MFD pickups yield about twice the output per wind, making the pickup quieter while allowing a greater overall output. The sound of MFD pickups is slightly warmer with a broader frequency response.

The extremely flexible PTB Tone Control System on the Legacy

This allows independent control over the treble and bass levels of the guitar’s pickups. A typical Strat’s tone controls are just low-pass filters and don’t work on the bridge pickup. With the amazingly flexible PTB, you can dial out the brightness and dial in some extra bass to fatten up the bridge pickup. Or if you find the neck pickup just a bit too fat and warm, dial up the treble and back off on the bass. You’ll wonder how you ever managed with a Strat’s regular tone controls.

The super smooth and sustainful Vibrato System on the Legacy

It is equipped with G&L’s patented Dual-Fulcrum Vibrato. Leo Fender created this design to yield a much smoother, “silky” feel and allows the player to bend notes up as well as down.  The press-in tremolo arm allows quick installation and removal, smooth feel, and also allows the player adjust the amount of resistance on the arm. The bridge block is much larger than other guitars in this price range, resulting in increased sustain.

Improved vintage-style Bridge on the ASAT Classic

It uses a traditional “ashtray” style bridge as on a vintage Tele, but has individual brass saddles which offer the classic twang, brightness and sustain without the compromised intonation.

The highly versatile Electronics on the L-2000 Bass

G&L’s Tri-Tone active/ passive electronics feature a highly flexible and simple to use control layout with a 3-way pickup selector, a series/ parallel switch and a preamp control mini-toggle. It makes it easy to dial in the growl of a classic P-Bass or the bite and definition of a good active bass. This bass is excellent at either tone and anything in between!

We Guarantee that you’ll soon be just as impressed at these amazing guitars!

 

THE K-ARRAY BLUELINE KB-1

K-Array KB-1

Compactness, light-weight design and transportability mark the KB1, and encourage its easy integration into a musician’s kit.  In fact one of the KB1’s strengths is its easy-handling.  It is equipped with materials and case which enable loading and unloading even with small hatchbacks.  It is protected by a padded cover designed to insulate the sub from bumps and scratching.  This allows the KB1 to be transported comfortably together with all the cables needed for setup.
The designers of the KB1 have chosen materials which are commonly used for products of a professional quality.  Plastic materials have been deliberately avoided in order to preserve the resilience required for professional use.  Wood, steel and aluminium are the materials which have been chosen to forge the BlueLine; perfectly matching the characteristic qualities of the K-array brand.

Amplifiers

1 module, class D – DSP controlled 120 W x 2 channels (240 watt total – power to mid high)450 W (power to sub)Dynamic limiter, over current, over temp, short circuit

Weighing in at A TOTAL 20 KG’S  including a carrying case, the “plug-and-play” KB1 is for a wide range of portable applications.

Setup, configuration, performance

Standard connections like speakon, XLR and jack guarantee that the cabling is easy and familiar to the user.  In this way, even in an emergency, the cables provided in the packaging at the moment of purchase can easily be substituted for commonly available cables of the same type.
A 12” subwoofer for bass and eight 3” loudspeakers for medium-high frequencies guarantee elevated performance, preserving the timbre quality of instruments and voices.  The configuration using a central pole for the medium-highs makes the KB1 a true line-array from the point of view of sound emission. It emits sound pressure which remains constant even at distance and which covers the listening area which great precision and uniformity.

The presets which process the output sound enable sound optimisation for numerous types of use and varied environments.
All of the characteristics which have been described so far, apart from the facility for modular integration of several KB1s as required, make the system an extremely versatile tool, adaptable as monitors, amplification for solo-artists and, if doubled-up, as a main stereo PA system for an event.  A special support which comes with the kit enables the system to be used as a monitor or as a front fill, by laying the medium-high unit horizontally and varying the inclination.

PRICE ON THE K-ARRAY BLUELINE KB-1

RSP-R22995.00 INCL VAT
TEL 011 792 8272
TEL 031 566 6980

www.tuerkmusic.co.za

Deep Purple Keyboardist Don Airey Uses HARMAN’s Soundcraft Si Compact 16 Digital Live Sound Console for Current U.S. and European Tour

Deep Purple Keyboardist Don Airey Uses HARMAN’s Soundcraft® Si Compact 16 Digital Live Sound Console for Current U.S. and European Tour

POTTERS BAR, United Kingdom – Deep Purple needs no introduction to rock fans – the iconic riff to “Smoke on the Water” alone is instantly recognizable to anyone not born under a rock. For the last 10 years, Don Airey has been the keyboard player for Deep Purple. Airey has been on the rock scene for more than 25 years, having played on almost 200 albums with artists like Richie Blackmore’s Rainbow, Andrew Lloyd Webber, Jethro Tull, ELO, UFO and many others.

Don is using a HARMAN Soundcraft® Si Compact 16 Digital Live Sound Mixer on Deep Purple’s current U.S. and European tours. Gert Sanner, front of house engineer for Deep Purple, notes, “We are in the process of replacing our old mixers because we have two full systems going on tour, and we wanted to have more consistency between the two keyboard rigs. We chose the Si Compact 16 because of the quality of its internal effects, its sound quality and its ease of use.”

 
“We wanted to be able to take any adjustments to the settings that we did on one rig and transfer them to the other,” Sanner continues. “The Si Compact 16 lets us easily move our settings between consoles, rather than having to manually duplicate all of our reverb, delay and other effects settings every time we make a change.”
“We are also using the console’s MIDI capability by linking specific keyboard sounds to individual Scenes on the desk. This enables us to store particular EQ settings to particular songs, and make the transition from one keyboard rig to the other a lot smoother.”
In addition to the Si Compact 16, Gert Sanner is using a Soundcraft Vi6 digital console for front of house mixing.
“We’re getting great results by working this way,” Sanner concludes. “We are busy hopping from continent to continent, so anything that makes the day easier is more than welcome.”

 

CSR STUDIOS – One of Joburg’s Hottest New Recording Studios Switched On and Making Waves

One of Joburg’s Hottest New Recording Studios Switched On and Making Waves

Since its introduction in 1988, CSR Studios boasted the recording of top local and international artists. Now in 2011, they have re-opened with the latest recording technology available to provide a one-stop production solution.

 

The new CSR Studios is a purposely built 5 studio complex situated in the Northern suburbs of Johannesburg at the Oval Office Park in Epsom Downs. The studios were built to do full live music recording with 5.1 facilities including separate drum booth and live area that can accommodate large groups. It also focuses on final mixing, voiceovers, radio spots, programming, production as well as mastering and DVD authoring & editing.

Staffed by a team of highly experienced & award-winning producers, programmers and engineers, CSR studios with its wealth of experience will assist in giving your brand the highest quality deliverables.

Facebook CSR Studios and Twitter @CSRStudiosSA

Technology Innovated Distribution to distribute JHS products in South Africa

Technology Innovated Distribution to distribute JHS products in South Africa

Worldwide trade distributor John Hornby Skewes & Co. Ltd. has increased its global reach after Technology Innovated Distribution (TID) signed up to exclusively distribute Vintage, Encore and Fret-King guitars in South Africa. A fresh and positive company, Johannesburg-based TID adds the guitar ranges to a number of other high-profile brands it already distributes in Southern Africa. The JHS guitars were launched at last month’s Media Tech trade fair in Johannesburg on July 20th. Matthew Eales, Sales Manger MI & Retail at TID, said: “TID is excited to be part of the JHS family. The JHS brands are complimentary to the brands in our stable and we are motivated to grow the market share of the brands in Southern Africa.” Adam Butterworth, Export Sales Manager at JHS, said: “We are delighted to have secured the distribution of our main guitar brands in South Africa through TID.  TID is very much an up-and-coming distributor with some excellent brands forming part of the MI distribution range. We feel that Vintage, Encore and Fret-King compliment these perfectly.” The partnership between JHS and TID follows up on JHS’s recent announcement that it had signed an exclusive distribution deal for Fret-King and Vintage guitars in Japan with Kyoritsu Corporation Limited.For more information on TID and JHS, visit the relevant websites.
Distributor: Technology Innovated Distribution (TID) | +27 10 5000 111 | www.tidistribution.co.za

TV Audio appointed as South African distributors for Carlsbro

TV Audio appointed as South African distributors for Carlsbro

 

 

 

 

The continued expansion of the 52 year old Carlsbro distribution network continues with the appointment of TV Audio in South Africa. According to news on the Carlsbro website the company has been inundated with requests from numerous distributors, dealers and consumers who had previously purchased Carlsbro from overseas. Carlsbro appoint distributors for the long term and TV Audio met all the company’s criteria and will look after all the Johannesburg based company’s loyal retailers and maintain the supply chain stability, which they believe is very important in this industry. “TV Audio and his dealers will look after all the loyal musicians in South Africa and expose the exciting new Carlsbro products to the new generations of music makers.We are truly excited by this appointment and the new products will arrive in store, in South Africa in September and will be supported with a high profile campaign reinforcing the global success of our unique British Carlsbro Tone.

 

Distributed by TV Audio | +27 11 805 9910 | info@tvaudio.co.za | www.tvaudio.co.za

 

ProAudio Have Moved

ProAudio Have Moved

Proaudio, a leading SA professional audio company have recently moved to new premises with a brand new showroom. Stockists of the following international brands; AUDIX • BEHRINGER • Cerwin-Vega • FANE • HK Audio • Hughes & Kettner • Kirlin cables • KRK Studio Monitors • Pioneer DJ • Pro Audio (name brand) • Stanton • SKB, their new showroom and offices can be found at the following address: 419 Martin Crescent, Greenhills Industrial Estate, Tunney Extension 6, Germiston/Edenvale011-822-1430 | www.proaudio.co.za

Here’s a look at the new premises before and after… Before and After

 

The iPad holders from König & Meyer – ideal for iPad wielding musicians and sound engineers

The iPad holders from König & Meyer –  ideal for iPad wielding musicians and sound engineers

Due to its versatility the iPad is fast becoming an established tool in the music industry!In this day and age sheet music and lyrics are available in digital format and with the technology of the iPad it is no surprise that it has a recording feature. Musicians can look forward to other applications as well ranging from instruments and tuners for synthesizers and harmonizers to multi-effect processors right up to a complete recording studio.
For easy use, König & Meyer have developed various iPad holders. The iPad stand holder can be screwed onto any 3/8″ thread; it can therefore be attached to all microphone stands.Due to the clamp mounting feature the iPad holder can be fastened to the tube, in any size from 7 to 30 mm in diameter. The third version is the iPad wall holder, which means it can be mounted and used without a stand. The holder can be attached to a wall by means of three mounting holes.
Depending on the application, the iPad can be inserted vertically or horizontally into any one of the three black holders and can be easily adjusted to tilt at any angle. This enables the user to align the iPad stand holder and the iPad holder in any desired position. All the holders feature the proven König & Meyer material quality and workmanship and are made in Germany. These stands are available from Wild and Marr from August 2011.

Wild & Marr | (011) 9740633 | (021) 7879378 | (031) 5643877 | www.wildandmarr.co.za

Sax Legend Courtney Pine On SE Microphones

Sax Legend Courtney Pine On SE Microphones

Courtney Pine is one of the true British Jazz legends of our time. In a career spanning almost 25 years he’s played with many of the Jazz greats, won the prestigious Mercury award, a MOBO, an OBE and a CBE in recognition of his services to the black community and Jazz music. No one better embodies the dramatic transformation in the British Jazz scene over the past twenty years than Courtney Pine. The saxophonist heads a new generation of exciting and innovative musicians who have chosen to turn their talents to the demanding requirements of jazz music, in all its shapes and forms.

Courtney‘s mic of choice is sE Electronics; “My favourite, because it is so unique, is the sE Rupert Neve RNR1 Ribbon mic. I have just started to use it and found it to be truly remarkable… a real modern day classic… for recording woodwind there is simply no equal.”

“I use the sE4400a on every session I do nowadays. It’s incredibly flexible and durable, with honest and open characteristics. I’ve used it on pretty much everything, from Mandolin and Congas, to Triangle and acoustic Piano, and it recorded all those tones and frequencies perfectly without any fuss or bother.”On why he chooses sE he had this to say, “I’ve compared my sE mics to ‘classics’ which are three or four times the price and found them to easily stand up to and better those ‘old-school’ mic brands… sE mics are true modern day classics… they’re for people who care about music”

Distributed by Tuerk Music Technologies | (011) 792-8402 www.tuerkmusic.co.za

Play Your Way To Winning Superb Prizes To The Value Of More Than R 100,000 From Yamaha!

Play Your Way To Winning Superb Prizes To The Value Of More Than R 100,000 From Yamaha!

 
Whether you’re an accomplished performer, an aspiring pro or a hobby honky-tonker just having fun, show off your style in the Yamaha Key Performers of Note national keyboard & piano competition. Your musical moment on stage could have you playing your way to winning one of three superb sets of keys worth R 85,000 from Yamaha – the legendary name in quality musical instruments. You could even be selected as one of Yamaha’s official piano or keyboard demonstrators!

For more information, please visit www.keyperformers.info Or send an e-mail to: admin@keyperformers.info.

Tech News: Digitech Premiers JamMan Delay Looper

Digitech has unveiled the JamMan Delay Looper. The JamMan Delay Looper features both true stereo looping and a fully programmable stereo delay with powerful control over both effects. Our venerable Editor-In-Chief pricked up his ears when this showed up on my desk this morning and I asked if anyone remembered the original JamMan. “That was a ground-breaking piece back in the mid-nineties. Unfortunately, you couldn’t save any of your ‘jams’ to memory.” Well 15 years later, the new JamMan addresses this deficit and then some…

The Looper in the JamMan Delay Looper offers true stereo looping with 35 minutes of built-in memory, 99 internal loop memories, and an SD card expansion slot for an additional 99 loops and over 16 hours of stereo loop storage! USB connectivity provides syncing to DigiTech’s free JamManager looper librarian software that organizes and saves your loops to a PC or Mac. JamManager also lets you quickly create custom loop JamLists to take to your gig.

The JamMan Delay Looper’s delay is a powerful stereo delay with 3 fully programmable preset memories that can be recalled instantly via dedicated footswitches. A palette of 8 delay types offers flexibility in crafting a wide variety of delays. With 16 seconds of delay time, a tap tempo footswitch, and full morphing of the delay controls via the expression input, the JamMan Delay takes the whole JamMan concept to the next level.

Features:

• Powerful Stereo Looper and Stereo Delay together in a single pedal design
• Store over 35 minutes of stereo, CD-Quality loops in 99 internal memories
• Optional SDHC card can store over 16 hours* of CD-quality audio in 99 additional memories (198 memories total)
• Downloadable JamManager librarian for PC and Mac archives and organizes your loops over USB
• Reverse Loop Playback
• 3 Loop Stop modes (Stop, Finish, and Fade)
• Time Stretching lets you slow down or speed up loops without changing pitch
• 16 seconds of true stereo delay
• 3 fully programmable delay presets
• 8 unique delay types including Digital, Tape, Analog, Reverse, and Modulated delay
• Expression pedal input for morphing between 2 delay settings or controlling loop playback level
• Dry path defeat for parallel effects loops
• 8 Heavy-duty metal footswitches for looping and delay control
• Rugged metal chassis
• Power supply included
• Optional footswitch adds additional Hands-Free functionality

*with optional 16GB or higher SDHC memory card

JamManager is a free software application developed and built by DigiTech for your PC or Mac. With JamManager you can now transfer your loops from your JamMan Solo, JamMan Stereo, and JamMan Delay to your computer and vice-versa. The ability to save, to transfer, and to organize your loops using your computer takes the JamMan far beyond all other looping pedals. Don’t limit your looping and creativity to your looper’s built-in memory.

Digitech’s JamMan Delay costs $500 and is available now.

Tech News: Avid at Mediatech Africa 2011

Avid and its South African channel partners are teaming up for Mediatech Africa 2011, held in Johannesburg, July 20-22, to showcase the latest news from Avid and to give users the possibility to connect directly with Avid experts.

Get studio-quality sound live! At booth E33, AVL Distribution is showcasing VENUE! The live sound consoles deliver amazing sound quality, reliability, efficiency, and ease of use. Meet the Avid Live Sound Specialist in person and get the latest news about VENUE SC48, Profile, and D-Show. Furthermore have a look at Pro Tools audio recording software and hardware! Pro Tools 9 is the world’s most popular, most advanced music and audio production platform with a completely re-architected, open version of Pro Tools software, giving you what you asked for—and so much more.

MIDI Music at booth C36 is showcasing a series of Avid’s live performance and recording solutions for independent musicians looking to take their digital audio creations to the next level. The new tools include Torq 2.0 DJ software, the Eleven Rack guitar recording and effects processing system and the third generation of Mbox family. All these tools deliver innovative, professional features and flexible, open workflows so artists can create distinctive and compelling audio, in the studio or on stage. Walk-up stations include M-Audio Axiom keyboard controllers and many more.

At booth B19, Spescom is showcasing Avid’s editing solution Avid Media Composer with Nitris DX and the integration with Sony cameras, ISIS 5000, Pro Tools and Pro Tools HD solutions amongst others. Avid’s Media Asset Management (MAM) Specialist is showing Avid’s Interplay MAM, a complete portfolio of “Enterprise Asset Management” tools which enables customers to manage, quickly and efficiently, the entire life cycle of virtually any type of asset, integrate tightly with their business processes and implement tailored workflows to deliver cost and productivity benefits.

 

 

Tech News: Avid Scorch Sheet Music App for iPad

Musicians Can Now Practice, Perform and Purchase Music on the Go with the New Avid Scorch Sheet Music App for iPad

BURLINGTON, MA, 2011-06-09 Avid® (NASDAQ: AVID), today announced the release of its first application for the Apple iPad mobile device—Avid Scorch®, available on the App Store. Customers can now practice, perform and purchase their favorite sheet music on the go with an application that transforms an iPad into an interactive score library, music stand and sheet music store. Powered by Avid’s market-leading Sibelius® music notation software engine, Avid Scorch is the first sheet music app to offer a rich, interactive experience that makes scores easy to learn and play. Scorch also offers unparalleled access to the most popular sheet music through an in-app store with more than 150,000 premium titles available from world-class publishers.

Tech News: Gearhouse SA (Pty) Ltd – is the official technical sponsor of Mediatech Africa 2011

Mediatech Africa 2011 – Africa’s most advanced biennial trade exhibition showcasing broadcast, film and production and related industries, is proud to announce Gearhouse SA (Pty) Ltd as the expos’ official technical sponsor.

Gearhouse will be handling the lighting, audio, trussing, audio visual, LED and draping for the expo.

The decision by Gearhouse to become the technical sponsor for Mediatech Africa is to showcase the latest solutions and service offerings targeted at the live event industry who naturally gravitate to Mediatech Africa.

“In addition to providing the latest technical support and solutions at the expo, we’ll be raising awareness of Gearhouse Splitbeam” says Robyn D’Alessandro, National Marketing Manager Group Services. “Splitbeam is a new company which offers variety of smaller applications and their stockholding is specifically geared towards the Theatre market”.

D’Alessandro believes that Mediatech Africa is a powerful platform as it draws a wide attendance from all areas of the industry and that anyone planning an event or an installation should visit this expo.  “In an era where technology evolves so rapidly” she says “you are only competitive if you are abreast of the latest developments and capabilities. For the buyer, it is a taste of what’s available at the leading edge.”

Gearhouse will be providing all technical requirements for the presentation area on the mezzanine level, as well as the Mediatech Africa refreshment area downstairs.

The diverse programme at Mediatech Africa includes over 500 brands on display, live demonstrations, the latest outside broadcast vehicles, AV technology workshops, a technology and production conference including an international speaker line-up and a business matchmaking programme. Visitors will be able to pre-register and be matched to relevant exhibitors. Meetings will then be facilitated between interested parties, allowing exhibitors to engage with visitors on a more personal level.

Companies wanting to take advantage of the exhibition’s reach should contact Claire Fuhri or Simon Robinson on  +27 (0)11 025 3180   or email sales@mediatech.co.za

Visit www.mediatech.co.za for more info.

Visit MediaTech to register free before 6 July 2011 or R50 at the door.

Tech News: TunerMatic Unleashes The Robotic Guitar Tuner

We don’t know if this product is real, or a full-on prank, (Their name, coupled with the 70′s style infomercial (see below), certainly doesn’t help their credibility… —Ed.) but TunerMatic takes the self-tuning concept from the Gibson Robot guitar and “turns” it into a portable tuning system.

New Invention Tunes the guitar for you. How much would you pay for this cutting edge technology? $99.95? — $74.95? — How about $49.95!! But wait there’s more!!

If you act now, TunerMatic will include the complete Sham-Wow chamois cloth set! Not enough? How about some leftover Ginsu knife stock? Still not enough? How about Korg’s latest Electribe featuring a convenient toilet paper dispenser, LED flashlight and can opener!

TunerMatic’s Robotic Guitar Tuner costs $50 and operates on one 9-volt Alkaline Battery, not included. Works on any six string electric or acoustic guitar with an output for a guitar cord. Acoustic guitars without built in pick-ups require acoustic guitar adapter – sold separately.

 

 

Tech News: Native Instruments Premiers Vintage Compressors For Guitar Rig

Native Instruments has released Vintage Compressors, a set of modeled classic dynamic processors for use in Guitar Rig 4 and in the free Guitar Rig Player. Produced in collaboration with DSP experts Softube, the collection comprises three of the most distinctive and revered high-end studio compressors, and can be used to creatively treat a comprehensive range of instruments and sounds with the highest level of sonic fidelity and profound vintage charm.

Vintage Compressors is the first release in a new range of professional studio effects based on the Guitar Rig effects framework. Vintage Compressors comprises three different models designated as the VC 76, VC 2A and VC 160. While the VC 76 targets drums and vocals, the VC 2A is popular for vocals, bass and guitar, with the VC 160 being a choice for string instruments and individual drum sounds as well.

All three emulations offer the full feature set of their analog hardware counterparts, with their sonic characteristics and intricacies authentically replicated through advanced analog component modeling. The Guitar Rig framework also provides an additional sidechain input with adjustable high-pass filter as well as a wet/dry control for parallel compression, opening up a wide array of advanced techniques. All three emulations are also available separately, and integrate seamlessly with any existing arsenal of effects in the Guitar Rig 4 or the Guitar Rig Player software.

NI’s Vintage Compressors is available now as a download on Tuerkmusic for $229 / €199, with the individual models being available for $119 / €99 each.

Tech News: World of Yamaha

“This is a first for South Africa and the world. There’s nothing else like it…”

Prestige. Excellence. High-tech. Unique. These are just some of the superlatives that come to mind when trying to accurately describe Bidvest’s World of Yamaha, the newest showroom for the Japanese powerhouse brand Yamaha.

In what is not just a first for South Africa, but also the world, Yamaha have put all their product lines under one extraordinary roof for your browsing convenience. No longer do you need to visit individual product stores because you can now look around for all your musical instruments, audio visual equipment, power products, motorbikes and intelligent machinery requirements in just one sole location.

All for one, and one for all

Yamaha Music CEO, Mike Hardy-Brown, explains that the move was an expensive and ambitious exercise, but a sound long-term investment, as it will unquestionably assist in brand strength and brand building by putting all their divisions and franchises together; therefore, also giving Yamaha a stronger marketplace presence.

“There is now a lot of synergy with the service departments, and, in terms of sales and marketing, we’re all under one roof. It makes [internal] communication much easier, and, logistically, it has been quite an advantage for us.”

From a customer perspective, Hardy-Brown believes that this building opens up the doors to a bigger and broader product range, as well as the esteemed and celebrated Yamaha lifestyle or culture. “It’ll create a higher demand for the Yamaha brand per se [not just the individual product lines]. We’ve already received a positive reaction, and hopefully it continues to create a bigger demand [for the brand].”

Live shows and events

Viewable from the M1 highway (actually, it’s rather unmissable) and just a few minutes away from the business hub of Sandton, the extraordinary building is a marvel to behold, as the massive structure encompasses Yamaha’s core values of being first-class, modern and ahead of the pack in its striking appearance. It consists of: a luxurious, spacious showroom with built-in sound systems (which can be controlled remotely via an iPad); a retail outlet for Yamaha branded clothing and accessories; a middle section coffee bar that can cater for 100-700 guests; a full industrial sized kitchen; specifically designed sound rooms for product testings; and a state of the art auditorium/theatre for approximately 200 people, which has already been christened by one of South Africa’s favourite rock bands, Prime Circle.

Music fans are undoubtedly licking their lips at the possibility of more live events and functions in the future, and Hardy-Brown confirms that many more will be hosted in this professionally lighted, pitch-perfect theatre. “It’ll be [a] very regular [occurrence]. We have planned for it to be a commercial theatre, which is also rentable, so, we’re going to be having quite a few events and we are looking to feature a lot of bands and artists. The theatre will also be used for our internal launch events. For example, if we’re launching a motorbike or new piano or Clavinova, it’s going to be used for that, as well.”

Show and tell

There is hardly anything more frustrating than walking into a showroom and not being able to find an in-house specialist who can answer all your relevant questions and product queries – especially when you are looking to part with some hard earned moolah.

However, valuing the “knowledge is power” ethos and offering nothing but the best in customer service, Yamaha’s in-house music specialist is a true master of his craft, who is more than capable of answering all your questions and perhaps teach you a thing or two. “On the music side, we have a qualified classical pianist, who took part in various Japanese competitions, and is very knowledgeable on piano, synthesisers, keyboards and instruments right across the board. He is really a specialist in his field,” Hardy-Brown declares.

Looking around the music section, it’s certain to become a little piece of heaven for musicians, hobbyists, collectors and occasional jammers, as it showcases the “Rolls Royce” of guitars, pianos, drums and other instruments.

Apart from the retail store on the premises, which sells official Yamaha branded clothing and accessories (the store also has the official bike of multiple MotoGP World Champion Valentino Rossi on display; just for all you racing and bike enthusiasts), the showroom does not sell directly to the public. Hardy-Brown explains how the showroom works and what the process would be if you wanted to purchase a product.

“Firstly, we run the customer through all the features and functions of the product, explain the significance of the brand, and then link them with one of the retail outlets in the customer’s area. So, for example, if someone comes in from Limpopo, we’d put him/her in touch with one of our dealers up there, finalise the deal telephonically, and then leave it up to the customer to decide if he/she wants to pay here or there.”

In other words, Bidvest’s World of Yamaha is a sophisticated showroom and not a walk-in, buy off the floor retail outlet – so, don’t go there and plan on buying guitar strings or something…

Revolutionary

In this day and age, the word “revolutionary” gets thrown around quite a bit, but there really is no other way to describe Bidvest’s World of Yamaha.

“This building is really unique, and can’t be replicated anywhere else in the world. We’re the only agents [worldwide] that have everything that Yamaha manufactures – from motorbikes to boats to grand pianos to audio systems to even robotics. This is a first for South Africa and the world. There’s nothing else like it,” Hardy-Brown concludes.

Without a doubt, Bidvest’s World of Yamaha will change the way in which you look at other showrooms in the future – it’s simply not about glass panels and shiny showroom floors anymore; it’s about the entire experience… The Yamaha experience.

Remember, Bidvest’s World of Yamaha is a high class showroom, not a retail outlet.

 

Bidvest’s World of Yamaha

Address : 19 Eastern Service Road | Eastgate | Marlboro | Johannesburg

Tel  : 011 259-7700

Web  : www.yamaha.co.za

 

Written  By   :   Sergio Pereira

 

 

Tech News: Samson Releases Q2U Microphone Recording Pack

Samson Technologies has released the Q2U Microphone Recording Pack with HP20 headphones. Samson designed the Q2U as a quality microphone to meet all live sound and digital audio recording needs. A dynamic handheld microphone, the Q2U features both an XLR output and a USB I/O allowing it to be plugged directly into a live sound console or any computer with a USB input. The microphone’s on/off switch controls the XLR output, allowing anyone to perform in a live setting and record to a nearby computer or laptop. The Q2U also features a built-in 3.5 mm stereo headphone jack output with volume control for no-latency monitoring during recording. Plus, a cardioid pickup pattern and a quality A/D converter with a 16 bit, 48 kHz sampling rate.

Distributor  : Audiosure

Tel  : 011 790-4600 | 021 555-1617 | 031 569-9260 | 051 430-4455

Web  : www.audiosure.co.za

Tech News: Taylor Guitars Announces new Limited Edition Signature Series Serj Tankian T5 Model

One of rock’s most compelling frontmen, Serj Tankian helped propel the band System of a Down to multi-platinum success from the late ’90s through 2006. The band’s exotic musical influences, which drew in part from the members’ shared Armenian-American heritage, filtered into their hardcore/thrash metal/avant-progressive rock sensibilities. Their resulting sound was fiercely original, marked by dynamic mood shifts that juxtaposed ethereal melodies with pummelling speed riffs. Together with Serj’s socially conscious lyrics and soaring vocals, System’s mix of tension and release connected deeply with listeners and earned widespread critical acclaim. The band’s five studio records have sold more than 16 million copies, and their prodigious artistic output peaked with the double studio releases Mesmerize and, later, Hypnotize in 2005, making them the first rock act in chart history to debut two No. 1 new studio albums in a calendar year.

 

Distributed by Marshall Music

South: 011 435-1631

Woodmead: 011 804-1362

Cape Town: 021 426-6325

Midlands: 033 347-2553

Hillcrest: 031 765-8450

Web  : www.marshallmusic.com

Tech News: Wild and Marr’s JBL Vertec Workshop

Wild and Marr’s first and official 3 day JBL Vertec training course took place in the second week of May in conjunction with the opening of their new in-house training room in Johannesburg. Alex Sanfilippo, one of SA’s best system engineers and a true Harman ambassador, compiled a unique South African, JBL Technical Vertec syllabus. The syllabus is made up of three modules of which module 1, ‘JBL Vertec User Fundamentals’ is currently being taught. The aim of the course is twofold. That is to enhance and empower current and potential Vertec system owners, users and engineers and to maximize and optimize deployment of the JBL Vertec Touring Line Array Loudspeaker System. The attendees were enthusiastic from the start of the course and by the third day were impressed with the benefits and knowledge the workshop was able to provide.

Distributed By  : Wild & Marr

Tel  : 011 974-0633 | 021 787-9378 | 031 564-3877

Web  : www.wildandmarr.co.za

Tech News: PreSonus Announces Budget-Priced StudioLive 16.0.2 Digital

Following up on the runaway success of the award-winning StudioLive™ 16.4.2 and StudioLive 24.4.2, PreSonus™ has announced the new StudioLive 16.0.2 digital recording and performance mixer. Compact, portable, and rack-mountable (optional), StudioLive 16.0.2 is ideal for small bands, personal studios, intimate clubs, small churches, community organizations, rehearsal spaces—any application where you need a compact, high-quality live-mixing and recording system at a bargain price and don’t need advanced features such as mixer subgroups and channel inserts.

The StudioLive 16.0.2 offers the same superb audio quality as the two larger StudioLive models, with high-headroom, 32-bit floating-point processing; critically acclaimed XMAX™ mic preamps; and 24-bit, 48 kHz digital converters with 118 dB dynamic range. The new mixer also sports a pair of programmable, stereo, 32-bit floating-point effects processors, loaded with reverb and delay presets and assigned to dedicated FX buses.

Distributed by  : Tuerk Music Technologies

Tel  : 011 792-8402

Web  : www.tuerkmusic.co.za

 

Tech News: Hammond launches new light weight, full-featured organ SK-1 & SK-2

The Hammond SK-1 is the first “Ultra-Portable” organ in its history, weighing in at just 15 pounds, and the first Hammond portable to feature a wide range of Extra Voices. The “Drawbar” section is a complete Hammond Organ with all the traditional features: Real Mechanical Drawbars, Chorus Vibrato, Touch-Response Percussion, and the most authentic Digital Leslie we have ever offered. “Vx” and “Farf” combo organ models are also available, as well as an assortment of fine classical Pipe Organ voices derived from our 935 Church Organ. Acoustic and Electric Pianos, Clavs, Accordions, Vintage String Synth, Wind Instruments and Tuned Percussion round out the specification.

The SK Series aren’t clones of other Hammond Organs even if all the classic features that make a Hammond are included: Real Mechanical Drawbars, “Waterfall” Keyboard, Touch Response Percussion, Chorus Vibrato. In two words you can say that your eyes see portable but your ears hear and your touch says B-3.

Distributed by  : Tradelius Music Group

Tel  : 031 502-3080

Web  : www.tradelius.co.za

Tech News: Emendy Sound & Music Technology College installs Avid products in their new Student Sound Lab.

Recently MIDI Music, the authorised dealer for Avid Technologies’ products in South Africa, helped in the opening of new class-rooms at the Emendy College by installing a range of Avid’s products.

Emendy’s Martin Willemse explains…

Why did you pick Avid products for the college?

Firstly, we believe in the Avid products 100%. The brand is well known and used in most studios all over the world. If we teach our students on the selected brands we are confident to send them out in the industry well equipped to work in almost any music setup environment.

What is the training room all about?

The new computer lab contains 16 student workstations and a lecturer’s teaching workstation. Each student’s station contains an iMac, M-box mini, pair of M-audio Q40 Headphones, Pro-tools Key studio keyboard controller and Pro-tools 9 software.

What classes are going to be taught there?

As from 2011 EMENDY Sound & Music Technology College is registered as a Pro-Tools accredited training Centre and students are mainly taught Sound Engineering as well as to digitally produce different  kinds and styles of music.

 

Emendy Music

Tel: 012 342-1177

Web: www.emendymusic.co.za

Midi Music

JHB:   011 417-3400

DBN: 031 -5643886

 

 

Tech News: Academy of Sound Engineering Attracts Record Sponsor

“The 2010 students were a very special group, and we were all thrilled by the level of support we received from our generous sponsors…”

At a glittering graduation ceremony held in April at the Linder Auditorium in Johannesburg, 77 students were conferred with their Sound Engineering diploma’s by academic board head and Council for Higher Education member, Professor Zak Nel. The class of 2010, specialising in such disciplines as Live Sound, Music Production, Broadcasting and Audio Post Production for picture, was special in two ways. First, the group included the highest number of graduates focusing on multiple electives: 20 specialised in two, and a record 3 specialised in three elective areas. Secondly, the outstanding students in the class of 2010 attracted almost R 200,000 in prizes and bursaries from the Academy of Sound Engineering and its corporate sponsors.

The sponsors, representing many of South Africa’s leading audio retailers and distributors, included Wild & Marr, Pro Sound, Audiosure, Tadco, Segma, AVL Distribution, TOMS, Spescom and Music Connection. Several of these organisations have enjoyed a long-term relationship with South Africa’s premier audio training institution. Spokesperson from Audiosure, Mr Chris Andrews stated, ” Having our brands and products exposed to and used by the students at the ASE, as well as forging a solid, long-term relationship with the institution, is very important to us. As a private institution, they routinely produce the best educated sound professionals for our growing market, and we are happy to be able to support them in their endeavours in any and every way we can.”

The prizes sponsored by all of the various Retailers and Distributors included some of the world’s best microphones, audio interfaces, workstation and plug-in software, mixers and instruments. Keynote speaker at the graduation Ivor Haarburger, inspired the students with a lengthy litany of South Africa’s most famous audio success stories. Speaking on behalf of ASE, head of marketing George Hattingh declared, “The evening was a great success! The 2010 students were a very special group, and we were all thrilled by the level of support we received from our generous sponsors to help make the event so exciting and rewarding for our top performers.”

Tech News: Music and Beyond with the Mediatech 2011 Exhibition 20-22 July at the Coca-Cola dome

“…excellent exhibitors, and interactive workshops and demos are what make Mediatech Africa such a successful trade exhibition.”

As South African artists chip away at the international arena with notable inroads having been made in recent years by groups such as Die Antwoord, Goldfish, The Parlotones, Black Coffee, Arno Carstens and many others, the musical landscape back home is burgeoning to say the least. More and more people are picking up guitars, learning to DJ or forming bands as we all look to explore our creative side. A clear indication of the popularity in this sector is the large crowds surrounding the musical demonstrations at the last Mediatech Africa Expo two years ago.

Africa’s top suppliers of equipment and services allied to this segment are exhibiting at Mediatech Africa, which takes place from 20-22 July at the Coca-Cola dome in Northriding where South Africa’s advanced technology trade expo will exhibit the latest in technology and equipment, without the inherent cost of visiting overseas exhibitions.

“There is always something new, always new technology” says Mediatech Africa’s Exhibition Director Simon Robinson. “The proactive and strategic marketing of the expo, its exhilarating atmosphere and the clear structure of the exhibition makes it easy for visitors to find what they are looking for. These factors, coupled with excellent exhibitors, and interactive workshops and demos are what make Mediatech Africa such a successful trade exhibition.”

“We’ve chosen to exhibit at Mediatech Africa this year as it is the biggest audio visual expo in Africa and provides a lot exposure” says Wynand Mans of EMENDY Sound and Music Technologies who specialise in the improvement of South African music and entertainment standards via education. “We are a music technology college, production and recording studio as well as a music technology shop”.

He continues, “We exhibited at the previous Mediatech Africa to promote the College and it was a big success and this year we’ll be exhibiting fully functional workstations enabling us to run workshops of our course material to interested parties”.

Rui Valentim, High Tech Product Manager of MIDI Music, a division of TOMS Sound and Music (Pty) Ltd is also a previous exhibitor.  “Exhibitions like these are normally a long term investment” he says. Valentim believes that this year his company will benefit from the exposure of the AVID product portfolio, however Midi Music are also agents for Pro Tools, M-Audio, Genelec, Mackie, QSC, Roland, Ibanez, Tama and Marshall, some of which will be on display.

This biennial trade exhibition will showcase broadcast, film and production; professional AV, sound, lighting, staging and rigging; DJ and professional music equipment; system integration; animation, new media and web; satellite and signal; computer music and production tools; and musical instrument sectors.

The diverse programme will include live demonstrations, work-shops, and a business matchmaking programme. Visitors will be able to pre-register and be matched to relevant exhibitors. Meetings will then be facilitated between interested parties, allowing exhibitors to engage with visitors on a more personal level.

If you are involved in any aspect of the music industry, from bedroom DJ or aspiring musician, to sound reinforcement, studio engineering etc, no matter how or where you fit in, as a Muse Magazine reader you want to visit Mediatech this year. We insist! Which is why we’re offering you a FREE Entrance ticket right here to attend and soak up all the action, the workshops, the products on display and of course the networking opportunities. This is not to be missed.

See you there.

For further info go to www.mediatech.co.za

 

Tech News: Dynamics Effects – Part 1 – Compressors

Some of the most difficult to understand effects processors are dynamics processors such as compressors, expanders, noise gates and limiters. While we all know effects like distortion, equalisers and reverbs and what they sound like, dynamics processors are not usually detectable unless they are used heavily.

What are “dynamics”?

Dynamics are the differences in volume in a signal. Most sounds have parts which are, and stand out louder than others. A piece of music is “dynamic” if there are large differences between the quieter and louder parts. The difference between the quietest and the loudest parts of a sound is called the dynamic range.

Take a look at the wave files below of: a distorted electric guitar on the left and an acoustic guitar track on the right:

 

 

 

While they both have the same peak level, the electric guitar track is denser, with less dynamics, while the acoustic is more dynamic.

Sometimes you want to make a track more dynamic because a dynamically squashed track doesn’t always stand out, while one with good dynamics will. Other times you may want a track less dynamic – if the overall track is too quiet and you cannot raise the level without clipping.

What Compressors Do

The basic function of a compressor is to alter the dynamics of a track. It does this by boosting the volume of the quiet parts and reducing the volume of the loud parts. The difference between the loud and quiet parts is lessened, so the track’s dynamics are reduced helping it to “sit” in the mix so it is always audible, but never too loud. By lowering the dynamics, the overall track level can be boosted, and the track can be louder without distorting.

Compressor Controls

Threshold

The level above which the compressor starts working the volume. When the threshold set at its highest point, the compressor will not change the sound’s volume. As the threshold is lowered, peaks will trigger the volume reduction effect.

Ratio

Ratio is how much the volume will be reduced. A ratio of 2:1 will reduce the volume of peaks crossing the threshold by a factor of two – this means that a peak 5 dB above the threshold level will be reduced to only 2.5 dB above the threshold level. A ratio of 5:1 and the peaks will have their volume reduced by a factor of five – the same peak will now be only 1dB above the threshold level.

Attack

Attack is the time it takes before the compressor reduces the volume. A longer attack time lets more of the peak through before compression.

Release

The time it takes before the compressor allows the volume to return to normal after the peak has fallen below the threshold.

Basic compressor use

Evening levels

If you have a track which has an occasional peak which is louder than the rest of the track, sometimes when it is mixed loud enough to hear the quieter parts, the peaks will be too loud and mixing it lower makes most of the track disappear. In short, it is too dynamic. This might look like this:

 

 

 

Compressing this track results in the following, which has a more even volume:

Note: I used more compression than I normally would to make the effect obvious: threshold -12 db, ratio 10:1, attack 10 ms, release 40 ms.

Controlling peaks

 

 

 

Sometimes the track will be fine aside from a few peaks which jump out. Fixing this is easy – use the compressor as you did above, but set the threshold carefully so it clamps down on nothing but the peaks.

Accentuating Attack

You can also use compression to make a track jump out of a mix. If a track doesn’t bite, it’s because it doesn’t have enough attack. As mentioned, the attack control on a compressor lets a certain amount of signal pass through uncompressed before compression kicks in.

Here’s a track that had almost no attack before compression:

Note that there is no difference in volume between the attack portion and the rest of the note. Using a compressor with a 5:1 ratio, threshold of -16 db, attack of 100 ms, and release of 10 ms produces this:

The attack of each note now stands out more from the sustain.

 

 

 

 

We just used our compressor to increase the dynamics of the track instead of decreasing it.

 

 

 

 

 

Written by   :   Alan Ratcliffe

 

Tech News: Play Better Bass – Bass Styles: Different Styles of Electric Bass Playing

Bass Playing styles can be divided into four main categories.

• Finger-style
• Picking (plectrum/picks)
• Slapping and Popping
• Tapping

 

Finger-style is by far the most popular style. Players alternate between the Index and Middle fingers. (Right Hand for right handed players)

You can also use the other three fingers.  The thumb sometimes gets used in African Music in a Wes Montgomery type of style. This style should not be confused with “Popping”. Advanced players will also use more than 2 fingers on the right hand. For Double stops and chords you can even use all the fingers.

Walking Bass is usually associated with Jazz and Blues, but can be found in other styles of music. It is a good idea to keep a library of walking bass “licks” in order to keep walking lines interesting and not too repetitive. Your right hand is very close to the neck in order to get a fatter sound. (You can find out more about this style in one of our previous editions.)

The sound of a walking bass-line is generally ever-changing rather than a simple riff following chord progression. The walking line can use scale tones, arpeggios and passing tones, and provides an undulating melody that rises and falls in tone over several bars. With funk the bass-lines are more syncopated, and the left hand plays a vital rule in muting strings to play “dead notes”.  Sometimes the palm of the right hand can get used to mute strings. This is called Palm Muting and the Thumb, Index and Middle Fingers are used. This is very popular in West African Music. In Rock music you alternate most of the time with the Index and Middle finger.

Picking involves the use – obviously – of a pick (or plectrum) and is used commonly in punk and rock styles. Bass picks are normally thicker and bigger than guitar picks. You use up and down strokes, very much like guitar players. This style gives one more attack to your sound.

Slapping and Popping has been used in funk  and fusion music for many years but nowadays this style is incorporated into pop, rock and world music too.

For this style you have to be able to:

1. Be precise with thumb attacks.
2. Only hit the string you want to sound.
3. Master the art of muting strings.
4. Attack muted thumb notes with the same intensity as sounded notes.
5. Control your Pull attacks that they are not louder or more intense than thumb attacks

 

Slap techniques are labeled as follows:

T=Thumb attack.

X=Dead note (String attacked as indicated, but not allowed to ring. These are notated using the open string on which they are attacked.)

U=Thumb-up stroke (thumb pulls up from under the string)

S=Slide

H=Hammer on (no attack with slapping hand)

P=Pull string with first or second finger

L=Lift finger from previous note to the note with the L above it

 

Slurs show when notes are sounded without a right-hand attack, as in hammers, slides, and lifts. (Only the first note of a slurred group is articulated with the right hand.)

The basic idea of Slapping and Popping is to hit the string with your thumb on the last fret and pop (plug) with your Index and/or Ring finger.

Abe Laboriel, Larry Graham, Marcus Miller, Victor Wooten, Flea, Les Claypool and Mark King are all happening “Slappers.”

Tapping just means any system of playing electric bass where you touch the string to the fret to sound the note, rather than plucking the strings. Hold your bass as usual, and with your left hand you’ll either hold a chord or play some notes. Your right hand will be further up the neck, and as a left finger hits some notes, you’ll quickly use a right finger to play a note higher up the neck. One simple way to think it through is just to play your diatonic or pentatonic scale or a given chord with your left hand, and with your right hand play that same diatonic or pentatonic scale but higher on the neck. It’s this rapid alternation of your left fingers and right fingers that gives the Van Halen style its drive and interest.

The other method is more like playing a bass and guitar at the same time, or, with the right instrument, it is more like piano playing. Here you are not going to alternate two hands on the same string, at least not very often. Instead you’ll play low notes (like bass) or chords with your left hand near to the nut and with your right hand you’ll play melodies or rhythmic chords on the strings higher up, closer to the body. It’s more like a piano, for example, with chords in the left hand and melody in the right, or like a piano where you play roots and bass patterns low and left-handed, and rhythm chords or melody higher-pitched with the right hand.

Michael Manring, Victor Wooten, Stu Hamm, Tony Levin and Billy Sheehan are some of the masters of this style.

Hammer-ons, pull- offs and all the other left hand “tricks” can be used in all styles.These days it is vey important to master as many styles as possible.

Till next time, LET THERE BE BASS!!!

 

Written  By   :   Alistair Andrews

Alistair Andrews endorses ROTOSOUND  bass strings

The World’s Finest Music Strings Made in The UK Since 1958

 

 

 

 

Tech News: Play Better Guitar – Metronome….say what!!

Welcome to Play Better Guitar, and yes we are going to talk about the metronome although many people might say “what’s that?” I have been teaching guitar for many years as well as producing guitar in the studio and the one common flaw I find amongst guitarists is the weak rhythm playing and the inability to play in time. Obviously if you don’t have the metronome on, you will always sound like you’re in time.

Working with a metronome will give you a strong rhythmical sense.

Often I will go listen to bands and most times I find that guitarists tend to consistently rush their playing.

Many people might say that this has to do with feel and that you can’t teach feel; maybe not but you can practice it. Even if you are practising your latest licks do it with a metronome and you will find that in time your playing will get a better flow and your feel will change.

Many of the artists from 15 years ago say they never used a metronome but they would jam to records and that in itself is like playing with a glorified metronome.

Take it one step further… record yourself playing against a metronome, scales, some strumming, some finger picking and then you be the judge as to where and how your playing sounds and feels.

There are many exercises you can do with a metronome. I have found that the most useful way of using it is by putting the clicks on beats 2 and 4, this will give you a very strong sense of the back beat. No matter what your favourite style is, consistent practice with this tool will make you a better player and although I am not saying that this should replace your jam time what I am saying is that it should be added to your practice routine!!!

Imagine feeling the groove so well that you could play any rhythmical pattern; this will add another dimension to your performance with great feel.

So here is a little exercise; we’re going to take one of the licks from last months lesson and move it onto a different beat; once again make sure you use a metronome and start off slowly.

Exercise 1

This is one of the licks from the last lesson, take note how it starts on beat 4, now try and play the lick starting on an offbeat.

Exercise 2

Ok so here we have the same lick as above except the lick starts on the offbeat.

This is the kind of command you can have around rhythms if you practice them properly, and once again listen to players that know how to use rhythm to their playing advantage.

Exercise 3

Here we have a 5-note pattern played in groups of four, the difficult part to this lick is to put the accent on the correct beat or it would not really matter.

Exercise 4

By doing this we can make old licks interesting by just manipulating the rhythm, so once again that’s why it is so important to have a firm grip on the sense of rhythm and time keeping.

That’s all for this month, I do suggest you go out and get yourself a jam buddy; the Korg ToneWorks is a great tool to keep close at hand or just a simple metronome like the Boss DB-30.

What I like about the Korg is the option to use different sounds with a groove, however sometimes the simplicity of a plain metronome is challenging so try both and mix it up. I think the important point is to get something that will challenge your time keeping and try and make a recording of this as this will help “You Be The judge.”

Till next time have fun with the metronome, and once again don’t just take my word for it but test this concept and make it your own!!!

 

Written By   :   Kurt Slabbert

Copyright Kurt Slabbert

Bluenoise Productions

kurt_slabbert@hotmail.com

 

 

Tech News: Your Private Universe – Unconventional Recording Techniques: Acoustic Guitar

Techniques for the home studio

Generally an acoustic guitar is recorded as accurately as possible to capture the natural sound that we are all familiar with. However in this issue I am going to take a look at some rather unconventional recording techniques for acoustic guitar. Whether you want to create some of your own weird and wonderful samples to use in more electronic based tracks, or if you are just looking for a way to make your acoustic guitar recordings stand out from the crowd there is a lot to be said for looking at some different recording techniques.

Usually one would mike up an acoustic guitar with a microphone placed in front of the bridge and one placed in front of the 12th fret (of course there are many other common ways besides this to mic up an acoustic guitar). The blend of these two mics will give you a very natural sound. So what can we do to get a more unconventional sound? Well the possibilities are actually endless. Here are some interesting techniques that I have come across.

One of the more common methods is to try and capture what the guitarist hears. This can be achieved by placing a mic or a stereo pair of mics over the players shoulder at about head height.  This is a good way of giving your musician a sound that he is familiar with as it is essentially capturing what he hears when he plays.

Another useful technique is to place a microphone behind or underneath the body of the guitar. This can be useful for capturing some overtones as well as reinforcing some of the lower frequency content of the sound.

If your room has a particularly great sound I would set up a couple of room mics to capture the ambience of the room, however you can also create some very interesting sounds by placing mics in unconventional places in the room like in a corner or pointing towards a reflective surface. Generally this would be regarded as “breaking the rules” but you can get some very interesting sounding results.

There is almost an infinite amount of ways you could mic up a guitar for a less natural sound. Some important thinks to remember is that the higher up the neck of the guitar you place the mic, the “thinner” the sound will become. Essentially you are capturing more of the high frequencies. You will also pick up much more finger work. If you place a mic near the bridge you will pick up more mid to low frequencies and if you place a mic in front of the sound hole you will get a very “boomy” sound. Another important thing to remember is that the further you move the mic away from the sound source the more the ambience of the room will affect the sound.

Of course your choice of microphone is going to make a big difference too. Generally speaking a larger diaphragm micro-phone will be better at picking up lower frequencies and a smaller diaphragm will be better at capturing high frequencies. (I must state that this is generally true. For a more accurate understanding of a microphones response you will need to check the frequency response chart of the microphone you intend using).

So get out there and experiment with microphones and placement to find just the right sound you are looking for. These are some great ways of building up your own personal sample library. It is always useful to have some of your own-recorded samples for use in composing electronic and sample based compositions.

We will continue next issue with some more unconventional recording techniques, until then keep experimenting!

Written by   :   Jonathan Pike

 

Shure Introduces PGX Digital Wireless System

NILES, IL, January 13, 2011—With more than 85 years of audio innovation on the books, it’s hard to think of something that industry mainstay Shure Incorporated hasn’t done.  But today Shure is introducing the first digital wireless microphone system in the Company’s history.  The PGX Digital Wireless System is designed for users who demand uncompromising sound quality, operating simplicity, and the rock-solid durability for which Shure is famous.

“PGX Digital was designed to deliver an absolutely pure representation of the sound source,” says Erik Vaveris, Category Director for Wireless Products at Shure. “Guitarists and bassists will be amazed at how transparently the system captures the tone of their instruments and their individual playing style.  Vocalists will discover a wireless mic that accurately conveys both the subtle texture and powerful dynamics of the human voice.”

Shure PGX Digital Wireless adds the clarity and precision of 24-bit/48 kHz digital audio to the proven reliability of analog PGX wireless products.  PGX Digital combines superior digital sound, extended battery life, and the convenience of the 900 MHz band with the user-friendly simplicity that has made PGX Analog a perennial favorite.

“Working with wireless is becoming more challenging,” says Vaveris.  “Because PGX Digital operates in the nationwide 900 MHz band, users do not have to deal with TV channel allocations that change from city to city.  Automatic frequency selection and one-touch sync between transmitter and receiver make setup a snap.”

Like its analog sibling, PGX Digital offers a wide range of system configurations for vocalists, guitarists, and presenters.  Handheld systems have been designed specifically to match the unique sound signatures of trusted microphone options like the cardioid SM58® and supercardioid Beta58A®. .  Instrument systems come with either the Beta98H/C clip-on instrument mic or the WA302 guitar cable.  Presenter systems include either the WL185 cardioid lavalier, WL93 omnidirectional lavalier, or PG30 headset.  All systems ship with the PGXD4 diversity receiver and a padded carrying case.

PGX Digital Wireless Feature Summary

• Pure Digital Sound

• 24-bit / 48 kHz digital technology for incredibly accurate sound
• 20 Hz – 20 kHz frequency range captures every detail
• Wide selection of rugged Shure Microphones – including the legendary SM58®

• Rock Solid Wireless Reliability

• True digital diversity for a rock-solid wireless signal
• 900 MHz operation free from TV signal interference
• Frequency scan feature scans the entire frequency band to determine the optimal channel for operation

• Simple Setup and Operation

• Scan and sync instantly and automatically sets up the system
• Up to 5 systems can be used at once

Pricing and Availability

The PGX Digital Wireless system is now shipping and will be available in a variety of different configurations, including:

• PGXD14 for guitar/bass for $429 retail ($536 MSRP)
• PGXD14/185 with WL185 lavalier microphone for $499 retail ($624 MSRP)
• PGXD14/PG30 with PG30 headworn microphone for $479 retail ($599 MSRP)
• PGXD24/SM58 with SM58® microphone for $449 retail ($561 MSRP)
• PGXD24/BETA58 with Beta 58A® microphone for $499 retail ($624 MSRP)

Shure PGX Digital Wireless systems will carry a two-year limited warranty and can be purchased at select retail partners.

Visit www.shure.com for a list of authorized dealers.

Venom – 12-Voice Virtual Analog Synthesizer

The M-Audio Venom 49-key synth combines the warmth of vintage keyboards with modern digital processing for an aggressive new soundGet an aggressive, infectious sound with the new M-Audio Venom 49-key synth. Whet your appetite with the included presets, then sink your teeth into creating original sounds—from subtle to downright nasty. Perform bass lines and leads with a full-size keyboard that’s designed to satisfy serious players. Easily tweak parameters from the intuitive top-panel interface, or explore endless possibilities with the included software editor. You can also use Venom as an audio interface with software such as Pro Tools M-Powered*—and take your music in dangerous new directions.

Danger: This product may cause a variety of symptoms, including elevated gain levels, increased BPMs, high track count, and uncontrollable excitement.

* Requires Pro Tools M-Powered 8 and higher.

For more information on the Venom 12 click here

Tech News: Samson Unveils Frequency Agile Micro Wireless System

Samson began as a wireless technology company over 25 years ago. We packed our high quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history with more features and flexibility than ever: AirLine Synth.

Samson’s new AirLine Synth true diversity system is a frequency selectable system that can operate on any of 320 frequencies over U and E bands with up to 11 simultaneous systems. Featuring automatic scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AirLine Synth system is ideal for applications as diverse as media production, house of worship and of course, professional music production of all varieties.

The AirLine Synth AR300 Receiver can be rack-mounted with up to 4 receivers in a rack space. And its LED front panel displays AF/RF levels, frequency, audio output level and channel mix setting for easy production configuration on the fly.

Samson’s new system also features an innovative set of miniature transmitters. The AG300 guitar transmitter is a unique, dual mount jack that works on either Gibson® or Fender® style outputs and contains a precision guitar preamp, a digital channel readout, attenuation switch for active pickups and a mute switch for “hot swapping.” The AG300 also ensures that a guitarist’s tone stays as “pure as the wire” with no added color.

For handhelds, the AX300 plugs directly into all dynamic microphones and comes with a Samson Q7 mic. The transmitter contains a precision mic preamp, digital channel readout, low battery indicator and a mute switch. The AL300 features a sprung steel belt clip transmitter with a P3 locking audio connector, precision mic and instrument preamps, attenuation switch and a mute switch for “hot swapping.” The AL300 also comes with a micro headset or lavalier microphone. All the transmitters will provide 10 hours of operation on their respective AA batteries.

With this kind of versatility and professional performance, the new AirLine Synth systems exemplify Samson’s diversity and progression as a premiere audio technology company.

Web : http://www.samsontech.com

Tech News: Mackie Expands Popular ProFX Mixer Series

Woodinville, WA – May 26, 2011 – Mackie today announces two additions to its popular ProFX Compact Effects Mixer series — the ProFX16 and ProFX22. With increased channel count and useful tools like dedicated inline compression, both new models are perfect for mid-sized venues and bands looking for a do-it-all live sound solution.

“The ProFX line has always been about maximum utility,” said Matt Redmon, Mackie Product Manager.  “Now, with the new ProFX16 and ProFX22, larger applications can benefit from Mackie’s out-of-the-box live sound solution.”

Like all ProFX Series mixers, the new 16-channel ProFX16 and 22-channel ProFX22 deliver a host of features designed to eliminate the need for additional rackmount gear. On the front end, Mackie low-noise, high-headroom preamps work with LED metering and 60mm faders on each channel to keep levels in check. Every channel also features 3-band EQ. All ProFX mixers offer an integrated 32-bit RMFX™ effects processor with 16 “Gig-Ready” FX and a 7-band graphic EQ for simple tuning of mains or monitors. The built-in USB interface allows the user to record the show and stream back music for breaks or integration into the mix. A rugged, solid steel chassis with protective ABS sidecheeks offers superior impact-resistance. The new ProFX16 and ProFX22 not only increase the number of mic pres needed for larger applications, they also feature dedicated inline compression for simple, one-knob compression of critical vocals and instruments.

“They’re easy to operate, sound great and virtually eliminate the need for expensive, heavy outboard gear,” remarked Redmon. “They’re perfect for any performance venue, house of worship or band that needs a ton of professional tools and are on a budget.”

The new ProFX16 and ProFX22 join the popular ProFX Series, which also features the ultra-compact ProFX8 and ProFX12. Both new ProFX models will be available worldwide in Q2, 2011.

Pricing is as follows:

ProFX16 – Euro list price €599 Inc tax / UK list price of £499 Inc Vat,

ProFX22 – Euro list price €799 Inc tax / UK list price of £699 Inc Vat.

For more detailed product information, please visit www.mackie.com.

About Mackie
Mackie, a LOUD Technologies Inc. brand, is known worldwide as a leading developer and marketer of high-quality, affordable professional audio systems. Mackie products can be found in professional and project recording studios, video and broadcast suites, post production facilities, sound reinforcement applications including churches and nightclubs, retail locations and on major musical tours. For more information visit: www.mackie.com.

Mackie is a registered trademark of LOUD Technologies Inc. in the United States, European Union and other countries. All other trademarks are the property of their respective owners

About LOUD Technologies Inc.
As the corporate parent for world-recognized brands Alvarez®, Ampeg®, Blackheart®, Crate®, EAW®, Mackie®®, LOUD engineers, markets and distributes a wide range of professional audio and musical instrument products worldwide. Our product lines include sound reinforcement systems, analog and digital mixers, guitar and bass amplifiers, and acoustic and electric guitars. These products can be found in professional and project recording studios, video and broadcast suites, post-production facilities, sound reinforcement applications including houses of worship, stadiums, nightclubs, retail locations, and on major musical concert tours. The Company distributes its products primarily through retail dealers, mail order outlets and installed sound contractors. The Company has its primary operations in the United States with operations in the United Kingdom, Canada and China.

For more information, please see our website: and Martin Audio www.loudtechinc.com.

Tech News: Presonus Studiolive 24.4.2 Wins Prestigious MIPA Award!

The Presonus StudioLive 24.4.2 digital mixer has just been presented with the Musikmesse International Press Award (MIPA) in the category “Mixing Desk (Project Studio).” This is PreSonus’ second consecutive such award, the StudioLive 16.4.2 having won the 2010 MIPA in the same category.

The MIPAs are selected by the editors of more than 100 magazines from all over the world and Presonus are thrilled to get this recognition from such a broad-based group of industry veterans. Coincidentally, on the day that they received a MIPA for the StudioLive 24.4.2, they also unveiled the newest member of the family, the small but powerful PreSonus StudioLive 16.0.2. By the end of the first day of Musikmesse, it was obvious that “Junior” was already attracting a legion of fans. Can the StudioLive family win a MIPA “threepeat” in 2012? Tune in next year at this time to find out!

 
Presonus 16:0:2 announced at Frankfurt Musikmesse 2011

 

 

Source   :   http://www.tuerkmusic.co.za

Tech News: Crown’s HiQnet™ Band Manager™ Breaks The 10,000 Download Barrier

Over the past year, 10,000 users have experienced Crown’s ground-breaking HiQnet™ Band Manager™ system configuration and control software and are deploying it in a number of portable PA applications from DJs, to bands and singers. The free-of-charge application provides an intuitive user centric, function-driven interface designed to simplify system setup and management while enabling audio professionals, musicians, and engineers to configure and control a rack of Crown XTi series amplifiers. Band Manager unlocks all loudspeaker-processing capabilities of the XTi Series.

Band Manager makes smart use of browser-style navigation and the ‘Home’ screen displays monitor strips for each amplifier in the rack and front-of-house EQ and level control. EQ for stage monitors and all other processing is accessible on an individual amplifier basis. Upon starting Band Manager, all amplifier settings are transferred from the connected devices but they can also be saved to disk for quick recall if the rack is used often in multiple venues.

Band Manager is a cut-down version of its parent software, HiQnet System Architect™, a much larger application which provides full-system control of over 70 professional audio devices from across the entire Harman Pro group, including the XTi Series. Anyone who has already used System Architect with the XTi will instantly be familiar with the amplifier control layout since Band Manager makes use of the same software plug in. Directly tailoring Band Manager to the needs of portable PA market enables far quicker configuration of a rack of XTi amplifiers by bringing only the essential tools into direct focus. For those who need the more advanced control, any rack configurations saved within Band Manager can be opened in System Architect. By using the plug in concept, Band Manager is all ready to control other future portable PA HiQnet devices.

Commenting on the success of Band Manager over the last year, Andy Flint, Crown Marketing Manager for portable PA stated, “Band Manager is successful because it provides real value. It simplifies the process of setting up and optimizing the PA system, while at the same time allowing users to extract the maximum from their system. Put simply, it’s a performance accelerate.”

To download the software simply visit http://hiqnet.harmanpro.com/software/band_manager/.

News: Soundcraft Tshwane

Tshwane University of Technology Music Department

Wild and Marr was called in to design a sound and lighting system for the proposed performance auditorium of the Tshwane University of Technology’s Music department.  JBL SRX738 three- way loudspeakers were identified as the right product as they would deliver open and transparent mid and high frequency performance which  is ideally suited to jazz where the ability to enjoy the nuances and detail in the music is paramount. Being a three-way system with an 18-inch transducer taking care of the sub and bass frequencies, no additional subwoofers were required.  JBL AC28/95 and AC28/120 compact front fill loudspeakers were installed to ensure even coverage and coherence in the front rows. The system is powered by Crown CTS amplifiers with a CTS3000 driving the two 18” sub-bass loudspeakers, CTS2000 driving the mid/highs in passive mode and a CTS1200 to drive the AC28 front fills.

A BSS Soundweb BLU160 processor with 96KHz sample capability was used for loudspeaker management and processing while a Soundcraft GB424 was chosen for its simplicity of operation balanced with the high quality GB30 microphone pre-amplifiers and musical EQ section.

 

 

Tech News: Prosound Ignites Bushfire!

Prosound, South Africa’s leading sound, lighting and AV specialist, is providing its services for the music line-up at the Swazi Bushfire Festival at Swaziland’s eclectic “House on Fire” venue on 27, 28 and 29 May this year.

 

 

 

 

 

 

 

 

 

Tech News: Workshops with David Chislett, Author of 1,2,1,2: A Step By Step Guide To The SA Music Industry, at Prosound

Getting Into the Business of Music with Prosound

Prosound is proud to present, in conjunction with David Chislett,  a series of workshops aimed at helping anyone at work in the music business understand the mechanics of the industry better.

Presented by David Chislett, the 1st workshop takes a place on at Prosound Head Office Demo Room, Hillfox Centre on Tuesday 17 May from 7pm and focuses on the primary business building blocks of the industry.   Chislett has been working in the SA music industry since the time of his first garage band in 1987.   In 2010 he published 1,2,1,2: A Step By Step Guide To The SA Music Industry.   Since then he has been travelling the country presenting workshops and speeches helping as many new artist, managers, or anyone interested in the business, understand how it works.

“Here at Prosound, we have always been happy to help out our clients and customers when it comes to gear, technical information and service,” commented Francois Lotter, marketing manager of Prosound, “It is great to now be able to facilitate the skills transfer with those self-same people about how the rest of the industry works in the hope that this will help them in other areas of their musical careers.”

In the business basics workshops Chislett covers record labels, managers, publishers, agreements and copyright in simple, easy to understand modules with plenty of interactive question and answer sessions. “I consider this the beginners tool kit in a way,” says Chislett of the workshop, “With these facts and ideas firmly in place, you will avoid most of the worst pitfalls in the music industry that you have heard horror stories about!”

Attendance is free, and Prosound will be selling his book on the night and in store from now onwards.

 

The Details : Start Smart Music Business Basics Workshop

Tuesday : 17 May18:00

Prosound Demo room

Hillfox Centre

Hendrik Potgieter Drive

Admission is FREE

Register/RSVP: lisa@prosound.co.za

Tel: 011 470 6800

 

 

Tech News: BOSS Presents: Live Looping with Dave Ferguson, Ard Matthews & Albert Frost

The word “loops” in a musical context may bring up a reaction of, “oh, that’s for DJ’s and electronic musicians”.  Not anymore. One of the best-selling Boss product ranges is their RC loop pedals which are used by everyone from beat-boxers to blues guitarists, and for anything from song writing through to live performance .  BOSS products take great pleasure in announcing a FREE workshop featuring demonstrations by three high-profile local artists – none other than Dave Ferguson, Ard Matthews and Albert Frost!

 

 

 

 

 

 

 

 

To whet your appetite, check out these awesome YouTube clips:  http://www.youtube.com/user/BOSSchannel#g/c/C22D22CABE0101AD

 

 

 

 

Tech News: Shure Previews Four New Microphones

VP89 and VP82 mics provide superior audio, durability, and flexibility for broadcast/media production

 

NILES, IL and LAS VEGAS, NV April 11, 2011— Shure Incorporated has responded to the needs of the broadcast/media production industry and is previewing four new professional shotgun microphones at this year’s NAB show. The new VP89 (available in three interchangeable lengths: long, medium, and short) and VP82 provide the exceptional audio quality Shure is known for as well as flexibility for use in a wide range of professional media production applications.

The VP89 models (VP89/L, VP89/M, and VP89/S) are professional shotgun microphones for use in critical sound capture media production applications. Featuring superior Shure design and rugged, roadworthy construction, the versatile and lightweight VP89 models suit a variety of production needs.

“The VP89 was designed with interchangeable long, medium, and short barrel lengths,” says Chad Wiggins, Category Manager for Wired Products at Shure. “We knew industry pros wanted different size options for shotgun microphones, and that’s what we’ve created with the VP89. But it’s not just about the modularity – all three models provide incredible audio quality with low coloration of off-axis sound for very natural ambient audio.”

The VP89/L is ideal for use during sporting events or field recording, as it targets sources of high volume over long distances. The VP89/M, offering a wider target aperture for higher ambience, is well suited for audience response, talk shows, and live concerts. The VP89/S is perfect for camera mounting and features a wide pickup angle for the highest ambience.

The compact and lightweight VP82 provides excellent off-axis rejection for use in sound capture and reinforcement in camera-mounted A/V media production applications. With an integrated preamplifier design, the VP82 offers extraordinary performance and exceptional value.

“All of our shotgun microphones are lightweight, can withstand the elements, and they just sound amazing,” adds Wiggins. “They’re perfect for the user looking for rugged, reliable utility tools that provide the exceptional sound quality only Shure can offer. When you’re on location, you want microphones you can depend on, even when there are environmental challenges. These get the job done.”

The VP89 and VP82 continue the 25-year legacy of the SM89, Shure’s well-known and respected long shotgun microphone.

Unique features of the VP89 (L, M, S) Shotgun Microphone include:

• Updated technology, including state-of-the-art preamplifier redesign with RF immunity
• Modularity: interchangeable long, medium, and short capsules available
• Smaller footprint: significantly shorter and more lightweight
• Durable carrying case and foam windscreen (included)
• Full range of optional complementary accessories, including a unique A89U space-saving “double-barrel” adapter

Unique features of the VP82 Shotgun Microphone include:

• Integrated preamplifier design (not modular)
• Wide aperture for near-field sound sources
• Provides natural off-axis rejection
• Zipper pouch and foam windscreen (included)

Pricing and Availability

Pricing for the VP89/L, VP89/M, VP89/S, and VP82 shotgun microphones is TBD, and all of the products will be available in summer 2011.

For more info go to…

www.shure.com

SA Distributor   : Wild and Marr

Web   : www.wildandmarr.co.za

 

Tech News: RME’s BOB-16 starts shipping

RME starts shipping three different BOB-16 breakout boxes – perfect rack solutions for interconnecting multichannel XLRs with the common D-sub connector format.

The BOB-16 connects up to 16 XLR inputs and/or 16 XLR outputs (Neutrik connectors) with two D-sub 25-pin connectors. It works like two breakout cables D-Sub from/to XLR. The usual multicore breakout cables are replaced with a 19″ rack mount unit, preventing cable chaos, errors and connection problems.

Three different versions are available: BOB-16 I, BOB-16 O and BOB-16 I/O.
BOB-16 I: Connects 16 XLR inputs to two D-sub 25-pin outputs (channels 1-8 and channels 9-16). The breakout box supports all interfaces using analog 25-pin D-sub inputs as well as the following RME interfaces: M-32 DA, M-16 DA.
BOB-16 O: Connects 8 XLR outputs to two D-sub 25-pin inputs (channels 1-8 and channels 9-16). The breakout box supports all interfaces using an analog 25-pin D-sub output as well as the following RME interfaces: M-32 AD, M-16 AD.
BOB-16 I/O: Connects 8 XLR inputs to a D-sub 25-pin connector and 8 XLR outputs to another D-sub 25-pin connector. The breakout box supports all interfaces using an analog 25-pin D-sub I/O as well as the following RME interfaces: ADI-8 QS, ADI-8 DS, M-32 AD, M-32 DA, M-16 AD, M-16 DA. The BOB-16 is pin compatible to the common TASCAM pinout format (e. g. used by RME and Digidesign). Adapters to the YAMAHA format are available from RME partner ALVA.

All three BOB-16 boxes provide the revolutionary Flip frame option. It allows to change rack brackets and handles from front to rear and thus to change XLR or D-sub from front to rear as well. This way a BOB will perfectly fit in every rack and working situation.

Tech News: Voice Tone Singles

It’s your voice. Use it. – TC Helicon – VoiceTone Singles range of vocal pedals

With your talent and TC Helicon vocal effects, you can take complete control of your vocal sound with ease. Simply plug in your mic and get those chart topping vocal sounds you listen to everyday, with the TC VoiceTone Singles line of affordable effect pedals for singers.

Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing you’d expect from our flagship vocal processors like VoiceLive 2.

The VoiceTone single is an easy to use and affordable pedal that will give you a professionally produced sound – no complicated buttons and no need to delve deep into complicated menus structures – making it ideal for performers and vocalists wanting to re-create that studio sound on stage.

Tried and tested by our very own SAMA nominated vocalist, Lindsay Mcguire, these units are the answer for the ambitious vocalist.

• Pick and choose from your favorite effects
• Connects between your mic and mixer
• High quality signal path and tough enclosure
• Can be chained to additional VoiceTone Singles
• Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
Four models available – with more to be released soon:
• VoiceTone T1 – Adaptive Tone & Dynamics
• VoiceTone C1 – HardTune & Correction
• VoiceTone D1 – Doubling & Detune
• VoiceTone R1 – Vocal Tuned Reverb

Distributed by Prosound (Pty) Ltd – Available at all good music shops
http://www.prosoundlive.co.za.
http://www.tcelectronic.com

Tech News: Shure introduces Axient Wireless management Network

The first wieless microphone system that can detect interference and avoid automatically.

At the 2011 NAMM Show in Anaheim/USA, Shure introduces its Axient wireless management network which can automatically change frequencies, undetected by the user, to avoid interference. Axient defines a new standard for control and confidence in applications with zero tolerance for failure.

“Uncertainty and volatility in the RF spectrum are the new reality for professional wireless users.” said Sandy LaMantia, President and CEO of Shure Incorporated. “They face increasing pressure to deliver interference-free performance in the most critical live broadcast, theater, music and corporate events, even though conditions are more unpredictable than ever before. Axient was designed from the outset to withstand interference from the analog and digital sources that exist today and will exist in the future.”

The Axient wireless management network includes several innovative features providing flawless RF performance, stellar audio quality, and unparalleled user control:
The Axient Spectrum Manager constantly scans the RF environment and performs frequency compatibility calculations to assign clear frequencies to each wireless transmitter. It permanently monitors, ranks and deploys backup frequencies. If the Interference Detection & Avoidance feature detects RF interference it moves to a clear and compatible frequency and deploys it to the transmitter in milliseconds via ShowLink remote control. Frequency Diversity goes even further. It transmits full-bandwidth audio on two separate frequencies to ensure uninterrupted audio for mission-critical channels. The new software interface Shure Wireless Workbench 6 offers sweeping functionality that optimizes the power of Axient enabling users to monitor and control the entire network. Furthermore touring-grade Axient rechargeable batteries and chargers deliver real-time intelligence about power levels and charge history for all power platform devices.

“The Spectrum Manager functions as an air traffic controller for the system.” said Erik Vaveris, Category Director for Wireless Products at Shure. “When the receiver’s Interference Detection & Avoidance feature senses interferences, the Spectrum Manager assigns a new frequency that it knows is clean. The frequency is deployed to the transmitter by the ShowLink wireless access point, and the transmitter and receiver execute a synchronized frequency change in a matter of milliseconds, making it virtually undetectable. And with Frequency Diversity enabled, there is no audible trace whatsoever.”

The Shure Axient wireless management network will become available in Europe in the second half of 2011.

http://www.wildandmarr.co.za

 

Tech News: Sterling by Music Man: The John Petrucci Signature Series Models

Highly respected in the metal/prog community, John Petrucci of Dream Theater is known worldwide for his incendiary chops, creative songwriting and incredible tone. His devotion to his craft inspires legions of players across the globe. Sterling by Music Man® has announced an expansion of the John Petrucci signature series. New models feature appointments you have come to expect, from one of metal’s most respected players. For 2011 they have introduced the new JP60 and JP100 models to their line up. This compliments the awesome JP50. Says John, “I’m so happy to be part of the Sterling by Music Man family! The new JP100 continues in the tradition of amazingly beautiful, high quality instruments at friendly and affordable prices.”

Distributed by   : Musical Distributors

Tel   : 021-799 4950

Web   : www.bothner.co.za

 

 

Tech News: SurgeX Power Protection

SurgeX Advanced Series Mode® Technology is superior to conventional MOV circuitry or MOV-Hybrid designs and is completely non-sacrificial. Their zero let-through technology provides the most reliable protection available. It stops all surges up to 6,000 volts (unlimited surge current) without producing harmful side effects such as earth contamination or common-mode disturbances.

SurgeX SX1215i Surge Eliminator & Power Conditioner – provides guaranteed surge protection and power conditioning for audio, video, broadcast and computer equipment. The units are 15-amp load-capable and have 10 industrial grade earthed AC receptacles (8 switched, 2 always on) plus a front panel courtesy receptacle.

 

The SX1215RTi has remote turn on capability for use in AC power distribution systems and can be interfaced with other SurgeX products with remote turn on capability. Switched receptacles can be controlled with an applied voltage (5-30 vdc) or contact closure switch connected to the Phoenix connector on the back panel. The connector can also be used to cascade multiple units or provide status to a central controller. The unit features both common mode and normal mode Impedance Tolerant® EMI/RFI filtering for a comprehensive power conditioning solution.

The SX1215RLi is designed for broadcast / recording studios, custom design/build installations and sound reinforcement applications. The unit features both common mode and normal mode Impedance Tolerant® EMI/RFI filtering, SurgeX ICE® -Inrush Current Elimination and COUVS® -Catastrophic Over/Under Voltage Shutdown for a complete power conditioning solution.

Distributor: Audiosure

Tel  : 011 790-4600 | 021 –  555-1617 | 031 569-9260 | 051 430-4455

Web   : www.audiosure.co.za

 

 

 

Tech News: Shure unveils new and exciting products for 2011

At the NAMM Show in January 2011, Shure introduced several new products for a variety of different applications. The ground breaking PSM 1000 In-Ear Personal Monitoring System, offering professional users a range of new sophisticated features, the Shure SRH550DJ and SRH940 headphones and the SE215 Sound Isolating Earphones with detachable cables.

The PSM 1000 In-Ear Personal Monitoring System offers a dual channel, full-rack professional monitoring solution. It is designed to tightly integrate with Shure Wireless Workbench software for the most efficient set-up and control plus with a true diversity-equipped, low profile bodypack receiver, the PSM 1000 system provides the best in audio and RF performance.

Distributed by Wild & Marr

Tel   : (011) 9740633 | (021) 7879378    (031) 5643877

Web   : www.wildandmarr.co.za

 

Tech News: Grammy-award winner Ricky Lawson discovers sE

In the world of drummers, none come bigger than Ricky Lawson. The legendary sticks-man has played with some of the biggest names in the business, including Michael Jackson, Whitney Houston, Quincy Jones, Al Jarreau, Bette Midler… such is the calibre of Ricky’s CV that he’s even become known throughout the music industry as “Drummer to the Stars.” As well as being twice nominated for Grammy awards – winning one – Ricky also regularly appears in Top 10s of the world’s best drummers, be it for his contributions to Pop, R&B or Soul. Ricky not only knows about hitting drums, he also knows how to record them, and he is a recent convert to the sound of his sE4 matched pair condenser mics that he’s now using as main overheads in his California-based studio.

“I’m using a set of sE4 mics right here in my recording studio in Los Angeles. I have a nice little set up here with a G5 [Mac] where I can record, mix and master all within one facility.”

“The matched pair of sE4’s are being used as my main overheads on the drum kit. They’re each about as big as a real nice cigar… and they sound just fantastic!”

Distributed by Tuerk Music Technologies

Tel   : (011) 792-8402

Web   : www.tuerkmusic.co.za

 

 

Tech News: Visual Sound – the new V2 Series Pedals

As used by the ultimate guitarists. U2, Kings of Leon, Metallica, Fleetwood Mac, Larry Carlton and many more.  Everything Visual Sound has learnt about making effects pedals since 1995 has gone into the design of the V2 series. Here are a few things you might appreciate about these first class effects…

V2JH

Reliability: Custom designed switches rated at 10 million hits | Circuit protection against AC (vs. DC) adapters | Hand wired jacks | Knob protection built into the die-cast aluminum housings

Noise Reduction: No more white noise with distortion or compression!

V2RT66

New Features:

• H2O, Jekyll & Hyde and Route 66 all upgraded
• Single effects now available
• No expense was spared in making the V2 Series as good as they could possibly be.
• The best parts, the best designs, and the best tone you could ask for.

Distributed by Tradelius Music Group

Tel   : (031) 502-3080

Web   : www.tradelius.co.za

 

 

Tech News: The S90XS and S70XS YAMAHA Synthesizers

If you’re looking for the ultimate keyboard instrument for performing and creating, Yamaha have put it all together for you in this exceptional instrument, the S90XS and S70XS.

The keyboard features the ultimate in piano sound sampling technology. A truly realistic, naturally expressive instrument with convenient, comprehensive control. Real-time controls for tweaking of the sound as you play. Audio recording to USB memory. Extensive computer music features. Ease of use, plus compact size and portability. Introducing the S90XS and S70XS Music Synthesizer. Designed specifically for players, particularly those who want the highest quality piano sounds and expression, the S90XS / S70XS is a performer’s dream. Yet, casual players and hobby musicians will appreciate the exquisite sounds, advanced features and superb playability just as much as top professional artists.

The S Series features all the Voices, Performances, arpeggiators and Virtual Circuit Modeling effects found on the flagship MOTIF XS Music Production Synthesizer. Plus Yamaha has added a huge 142 megabytes sample dedicated exclusively to high-quality piano waveforms, for a total of 456 MB of instrument samples.

These piano sounds are the new samples taken from Yamaha’s world-renowned S6 concert grand piano. These samples fully capture the rich texture of the S6, and provide a warm concert grand piano sound beyond any keyboard ever produced.

Distributed by Global Music

Tel   : (011) 454-1131

Web   : www.yamahaproaudio.co.za

 

 

 

Tech News: Gibson is Back

You know how the saying goes: “absence only makes the heart grow fonder”…

Gibson. It’s a prestigious name for every serious guitar player. Yet 4 years ago, South African shredders got a shock as the famed guitar brand disappeared from local instrument retail stores without an explanation or even a goodbye note.

Sadly, six string aficionados could no longer purchase Gibson guitars from stores nationwide and had to rely on overseas orders to get their fix; it need not be said that our local postal service probably did a good job in raping and pillaging more than a few packages and leaving many guitarists unhappy and frustrated at this situation.

Bringing Back The Power

However, Marshall Music’s flagship store in Woodmead heeded the calls from virtuosos countrywide and decided to do everything in their power to get Gibson back on our shores – and guess what? They succeeded and are now the official and exclusive dealers for the brand in SA.

In other words, as licensed dealers, they are able to sell the guitars at the same competitive prices as the online and overseas retailers and supply you with the Gibson of your dreams – after all, choosing a guitar is a very personal experience and you shouldn’t just settle for any old piece of wood.

Additionally, if you stay far away from the store (but still within the borders of South Africa), don’t sweat; you can order the guitars directly from them and they’ll ship it to you and cough up for the courier fees.

Celebrate Good Times

To celebrate the awesome news of this illustrious partnership, Marshall Music Woodmead threw a bash at Tanz Café in Fourways, Johannesburg, on the 25th of January 2011. The venue was painted red that night as the party was ignited by enthusiasts, guitar collectors, party goers and local rock stars, such as Prime Circle, Wonderboom, Watershed and Chromium, who use and abuse Gibsons on a regular basis.

Also, on the night, a raffle was held and a prized Gibson Les Paul got handed out to one lucky winner, who must probably be polishing that guitar and posturing like Slash from Guns ‘n’ Roses every day since. Arno Carstens and Flies (a cover band featuring the members of Just Jinjer) provided the entertainment for the evening and churned out some quality rock ‘n’ roll with the mandatory “local is lekker” flavour. At the end of the evening, the performers further thrilled the audience by unexpectedly joining forces for an impromptu jam session right on stage.

Interestingly enough, amidst the sound of music, it was worth noting that the artists also used Gibson guitars for their performances – Arno strummed along on the J-200, while Flies’ Gavin Morein let his fingers do the talking on the Gibson Les Paul model.

The Future Of Gibson In South Africa

After such a smashing event, Marshall Music Woodmead’s resident guitar specialist Stuart Goodwin explains that this was only the beginning of great things to come from the partnership between Marshall Music and Gibson. “Marshall Music Woodmead are the first official dealers. The next one will be Marshall Music Cape Town; they’ll be holding a launch in about a month or two, so look out for a big party in Cape Town. We’re also hosting the Gibson Acoustic competition every Tuesday night at Tanz Café, which is a competition for singers/songwriters to showcase their skills. The first prize will be a R20 000 Gibson acoustic guitar.”

When Orville Gibson started manufacturing mandolins in the late 1890s, no one could’ve predicted that down the line he’d be instrumental in creating not just a recognisable brand, but a cultural icon. Even though Gibson was gone for a while here, it was never forgotten. In fact, you know how the saying goes: “absence only makes the heart grow fonder”.

Remember, Marshall Music Woodmead is the only official dealer of Gibson in South Africa, at the time of writing, so if you want to purchase one, you’ll have to chat directly to them.

Marshall Music Woodmead

Tel: 011 804 1362

www.marshallmusic.co.za

 

Written   By   :   Sergio Pereira